Bluejay's Wing

 

 

 

 

Bluejay's Wing

 

 

The first time I saw the sea, its reaching miles

of life and emptiness that twinned,

I was a barefoot child who thought

herself a woman, made of light

and incapable of sin.

The sea is high again today

with a thrilling flush of wind.

 

By day I scan the amber sky and feel

its cheapjack promise scratched upon my skin.

By night I scout the evercoming storm

with my bareback diamond eye

and heart of tin.

The sea is loud again today

with a spoken word of wind.

 

I see now how a palette rich with sun

bleaches out as monotone, greyscaled and thin,

its broken colors robbed of breathing light

as bluejays pale away on cloudy days,

their feathers keeping all the blue within.

The sea runs high again today

with a humming requiem of wind.

I'll never see again the dazzled tide; 

my age is given to the prairie wind

but I won't believe I'll never see the sun,

or the mottled azure delicately brushed in

to point and praise a bluejay's cunning wing.

The sea is high again today

with a thrilling flush of wind.

 

 

 

 

March 2022

 

 

 

 

 

 

 

 

 posted for dVerse Poets Poetics:

Opening Sentences

 

 

 

Note: My opening sentence appears in the last two lines of the first and final stanzas, and is from Justine, by Lawrence Durrell, the first book in his Alexandria Quartet, which I count among my top ten early influences in writing. And some may sense here another early influence, Emily Dickinson.

 

 

 

 

 

 

Images: Untitled, ©Zdzislaw Beksinski 

Wing of a Blue Roller, 1512, © Albrecht Durer

Song Of The Weavers

 

Song Of The Weavers

 

 

 

 

The Norns speak all they know

in pleaching and binding, in winding

on the spindle green thread from the Northlights,

white wool from the southern sugarmoon

as it sets in blood-orange dustfall.

 

Their rhythm curls out from

the tangleroot nest under the world tree

where they refresh the well

season to season, age to age, and all that was

and is to be is formed in their throats' call.

 

They have grown each feather

on the black raven's backs 

of thought and memory

and taken the Allfather's eye

for their balladry.

 

A hard hand makes a rock-hard life,

but their cloud-boned fingers can weave

hard lives into blooms made to jump up in sheaves

as velvet as rabbits, full-hearted sweet

as the last peach on the summertree.

 

They fire the wicker man's burn

and rain his ash into the fields

to weep for the rye

they will color again

in May's breath-dancing fly.

 

I only sit under the cooling stars

in the holiness of night with the 

owls' down floating, in the bright foundry of day

with the tongues of grass leaning

into the singing of their wild living cry.

 

 

 

 

March 2022

 

 

 

 

 

 

 

 

 

 

 

 posted for earthweal's

Wild Language

 

 

 

 

 

 

 

 

 

 

 

 

 

Images: The Three Norns, 1911, © Arthur Rackham    Public Domain

Northern Lights Over Iceland, author unknown, via internet  Fair Use

Soup Kitchen

 

 

 

 Soup Kitchen

After the blizzard

it was warm in the kitchen

where the angel-witch cooked.

 

All the survivors

crawled in from the avalanche:

the lost girls, bent heroines,

 

peacocks and choirboys,

pulled along by the wine

to canned soup and oranges,

 

looking for the revolution

that was always stillborn.

He was just another strategy

 

there in the churn

of dream-debris bobbing, plaintive

as old violins; scooped, angular,

 

scuffed but still thrumming.

His sorrows tempted me

but when I touched him

 

he growled

like a sore dog.

Finally the angel-witch

 

took him to Phoenix 

and we were all stuck

with her snow and tomato soup.

March 2022

some nonsense for Shay's Word List #18:

Leonard Cohen

Note: My favorite song of Cohen's is the first I ever heard, Suzanne, released in '67. It was a part of this time I chose to write about, in particular, the blizzard of 1967, which I spent marooned in my best friend's apartment with J.J Cale's , the Doors' and Cohen's music, and a crowd of assorted misfits. 

 

Some notes on the actual event: 

 

"The Chicago blizzard of 1967 struck northeast Illinois and northwest Indiana on January 26–27, 1967, with a record-setting 23 inches ..snow fall in Chicago and its suburbs before the storm abated the next morning. As of January 2022, it remains the greatest snowfall in one storm in Chicago history..

 

The snow fell continuously in Chicago and surrounding areas from 5:02 am on Thursday, January 26 until 10:10 am Friday .. sources estimate [between] 20,000 - 50,000 cars and 800-1,100 buses [were]stranded...Gusts of 48 to 53 miles per hour..caused large snowdrifts..[and]..the blizzard closed both Midway Airport and O'Hare Airport. Ten-foot drifts covered the runways at Midway. Chicago Mayor Richard J. Daley ordered city workers to clear city streets around the clock..the city was virtually shut down and area schools were closed.^"~wikipedia 

Images: Cars stranded at Oakwood entrance to Lakeshore Drive, manipulated, Fair Use

Volkswagon Beetle stuck in snowdrift at Stockton and Diversey, manipulated,  Fair Use

Both photos © the Chicago Tribune historical photos, January, 1967

 

Warfire

 

 

 

 

Warfire

In the killing fine fabric

of inflorescent flame

we walk, we burn,

dwindling from kindling

to bullet-bruised smut

alone in a dark

our dying lights up.

  

Murderers in red

boil a soup from the dead

in our hollowed heads

hidden hired thugs move,

their inhalation our blood,

their exhale the air

where the fire fed.

~May 2016

rewritten and reposted for DVerse Poets Pub

OLN March 2022

Image: Ukrainian State Border Guard Service site damaged by shelling in Kyiv region, Ukraine,  handout picture released February 24, 2022. (Press service of the Ukrainian State Border Guardvia Reuters)   Fair Use

Home With The Diatoms

 

 

 

 

Home With The Diatoms

 

 

When I was a child

before sleep we prayed

for love to be shown, for safety to stay,

starved children in Korea to be saved.

Then the light would go off.

I'd put my real bed

of conches and nautilus twists

under the toss of the night's waves.

Regal on the seafloor

shells poked their bubbling heads

up out of snow-sand. Aquarelle fins and

gold-grey eye-globes blinked around me,

all greeted with a princess flip

of my green-scaled tail.

Reclined with coelacanths,

eyes blueing in my head,

all my mother-cut hair grown

long as a squid's arm,

I waited to swim into sleep,

watching the shadows of

far-above gulls mottle the green ceiling,

alone yet blanketed in

life watching over me, drowsing

to the epochs' stereopticon flash.

When we met in the deluge

you called in a lost language

for that nightspell to rise, to link us,

to sink us completely

in diatoms, wave after wave,

kissing underwater, not afraid to breathe

not afraid to drown, kelp-hair

in the undertow fanned and fluttered

summoned by a sea-fire of peace

to make ashes of fear.

 

March 2022

posted for earthweal's weekly challenge:

Shelter

Process note: "..Diatoms are unicellular [microalgae]: they occur either as solitary cells or in colonies, which can take the shape of ribbons, fans, zigzags, or stars..Living diatoms make up a significant portion of the Earth's biomass: they generate about 20 to 50 percent of the oxygen produced on the planet each year,  take in over 6.7 billion metric tons of silicon each year from the waters in which they live, and constitute nearly half of the organic material found in the oceans..."~wikipedia

 

 

 

 

 

 

 

 

 

 

Images: The Bright Liquid, © Edmond Dulac    Fair Use

Pink Shell With Sea Weed, 1937  © Georgia O'Keefe    Fair Use

Après La Révolution

 

 

 

 

Après La Révolution

 

 

After the revolution we

became the aristos.

 

I fell in love with a

prince of the butterscotch castle

but I could never get past

the guillotine in his head, the wolf

hissing in his flock of noise,

the glitter-ship in his bottle

waiting each day to sail him away.

 

All the devils of summer

came to our parties, flashing

their ruby eyes in the dark, stealing

my stockings, hiding the postman,

eating the silverware. I made a centerpiece

from applecores, black horns and tail-spikes

and called it art diabolique.

 

When the winter night

finally flapped its starstained carpet

over the horizon, its patterns worn

and indistinct as we were, all

the stardust beaten out of us, I knew

we wouldn't make it to the end,

or even to France.

 

La révolution est morte.

Vive la révolution.

 

 

 

March 2022

 

 

 

 

 

posted for 

Shay's Word List #17

Joni Mitchell

Images: Study for the Spanish Dance, 1879, © John Singer Sargent  Fair Use

Charlotte Corday, 1860,  ©Paul-Jacques-Aimé Baudry   Fair Use