The Myrðaling

 

 

The Myrðaling
A Ghost Story

Cold across the portal

through the shadow of the veil

the child shivers before me,

wild-walking the mirk.

She's thin as she'd never been

when she lay there, left,
tiny feet kicking in a stiff skin wrap,
taller too than when her kicking stopped

alone in the bramble where the broken light fell

as the snow wound blue around her like smoke.

Now she can walk miles

through the night from the black

back corners of the winter that rides

before and after all things,
for she's passed the doored rock

to the slaughtering shadow

that splits the soft loam, where

she blows like a seed that won't be sown

but must be milled on the stone of years

with a river of bones floating on tears.

She opens her mouth

and sings like the plague

for a name of her own to give her a grave.

Take mine I say--it's all I have

for a night sister here in the dying year,
where we've gone too far

to turn around, where too soon
we'll eat the bread of the dead,
where spirit can weigh
as heavy as flesh when the veil thins away.

Then the moon-girl came out of her pale disguise;

I saw my twin smile, and close her eyes.

~October 2014

revised and reposted October 2023 for Night of the Desperate Dead

at desperate poets

Process notes: In Scandanavian folklore, a myrðaling, (from Old Norse, 'myrða,' murder) or more properly, myling, was the ghost of a child killed by its mother in infancy, usually  the child of an unmarried woman, or of a poor family unable to provide for it, abandoned in some unfrequented place and forced to walk the earth seeking burial. The myling might appear and reveal the acts of its killer in a song, or call out for a name, when the hearer could save the spirit by saying "take mine' so that it might then rest in consecrated ground, (as in this poem) or it might vengefully possess the living, jumping on their backs and forcing the victim to carry them to a graveyard, growing heavier with each step. You can read more in this wikipedia article.

Image: The Strawberry Girl, 1777, by Joshua Reynolds

Public domain via wikiart.org

I have manipulated this image.

 

Creature From The Black Saloon

 

 

 

 

 

 

Creature From The Black Saloon

 

 

His eyes are dead moons

that call up typhoons

where old sailors will die

on the devil's hot spoon,

dished up dressed in red for the Day of The Dead,

mouths whiskey wild and well off their heads.

 

He sparks a burned light

that cracks holes in the night,

calls witches to bonfires' sulfurous light

for the Dance in the dark, the Blood in the cup,

the black horns of the Beast

who will drink them all up.

 

His tongue drifts like quicklime

on a seasonless wind

in desires that die before they begin,

over the flesh that twitches and yearns

to dissolve into hexes the old gods that burn

just under the skin all mottled with runes;

I've met him. I've loved him

too long to refuse.

October 2023

posted for Creature Seeker at

desperate poets

Note; This may have been slightly influenced by attempting to watch Rob Zombie's Lords of Salem last night.

Images: Standing Figure, 1970 ©Nathan Oliveira  Fair Use

Dark Dancers ©Gina lacob   Fair Use

Tears Of The Moon

 

 

 

Tears Of The Moon

"La mar no tiene naranjas, ni Sevilla tiene amor..."

(The sea has no oranges, nor Seville any love...)

from Adelina de Paseo, by Federico Garcia Lorca

I.

The sea is made

from the tears of the moon.

They fall like meteorites

to build the splash of azure rivers.

They fall like rocks

the air has set on fire in

a coliseum of dust, an iron mist

burning with the blue taste of salt.

The sea is cold, incalculable

as the heart of my beloved,

changeful, infinite, self-satisfied

and blind. This is why

the moon cries. She knows she lays

her silver face for nothing

across the drenched toss of the

erasing waves. The sea

is too busy,

tonight, and every night.

II.

The sea has far to travel

to kiss the dun lips of Spain, to fondle 

Gibraltar like a primitive doll,

to curl the sand under

on the Costa del Sol,

guitaring sweet lovesongs

to women with eyes like summer figs

who walk with the chiming of rice in the wind

whose hips round as oranges

call night after night

for the men who don't come; nuns

of blue rivers, learning to understand

the tears of the moon

that drip from the lids of

an extinguished rock, while on the

ruined plains of a waterless country

an old woman reads Lorca at midnight,

with the tears of the moon on her cheeks.

~January 2020

originally posted for earthweal

Open Link

 

 

 

 

reposted for Desperate Crossings at

desperate poets

Images: Orange Trees on the Road to Seville, 1903 © Joaquin Sorolla Public Domain

The Font, 1930 © Salvador Dali Public Domain

Seedpod

 

 

 

Seedpod

All your cars had names. You could have

called me a knotted whip, waiting just

off the Sulphur exit for Argon to pull up, 

her aqueous sides mottled with Dallas dust.   

When you showed, we were bleak as

strangers till we forgot how lame things lie.

Then, we'd never parted. Hand-fast laughing,

we brazened the blue hole's perilous beauty. 

You picked me the seedpod of a water-lily,

catacomb of caves on a stick

rattling full with brown-eyed pearls.

They watched me from a vase for twenty years.

 

The day was hot as rooftar in the pot,

the wet air a greasy mop

as we deployed, Argon starting

with reluctance--all your cars

started with reluctance--

disapproving of me there 

in her too small seat.

We drove and talked the sun 

up the noon sky, down its back 

in trickles of salt, sat on rocks 

compliant as clouds by Turner Falls,

talking by touch, by feel, 

by nerve and luck, 

words splashed on dry fields  

dust before and after,

your ribs under the blowing shirt

white as nightlights in the dusk.

Radium midnight in the tent;

I didn't know how

I could ever let you go back.

I cursed

what made me fall like water, 

pour out suddenly yes forever, 

cursed what made you fly so high,

the wind that fills the windsock and blows on.

And so, I never found that place again

a quarter mile from the Sulphur on-ramp

bright in the heat-breathing beauty of morning.

I spend instead my pale days waiting

 

empty as the chair I've prepared

with your books and candlelight, empty as a  

dry-rattle lily pod whose pearls

fall one by one on stone.

~May 2014

 

 

Process note: Turner Falls is a waterfall on Honey Creek in the Arbuckle Mountains of south-central Oklahoma..With a height of 77 feet [it] is locally considered Oklahoma's tallest waterfall...Turner Falls and the blue hole [directly beneath it] are dangerous and have claimed people's lives every year. Only experienced swimmers should swim there..~wikipedia

 

 

originally posted for    real toads

Out of Standard: The Poem is a Curse

Isadora Gruye  (The Nice Cage) asks us to write a poem involving a curse.

reposted and revised October 2023

for

desperate poets

 

 where Brendan asks us: "For this challenge, write of DESPERATE BEAUTY. You can use one of Van Gogh’s paintings as a starting point, or you may find all the required colors in another painter or poet or from your personal palette. How does a poem render the beautiful? What hues must it choir? How does strangeness improve beauty? What are the limits of beauty? Where or when does the desperation come in? And why is it alone infinite?

 

 

 

 

 

 

 

 

Images: Water Lily Seed Pod, Bobbye Wolfe  via Pinterist

Windsock via google image search, author unknown.

Paul Gauguin's Armchair ©Vincent Van Gogh

Turner Falls, Oklahoma,   via Wikipedia