Monday, January 9, 2012

Knotwork

Upplands Runinskrift 871 2


Knotwork



When the fever comes I always think
in strands and balls of ifs and whens
rolling, biting, weaving, choking;
I cut through them with a whimpered cry.
They're ligaments that severed, pain
and cripple, yet born of fever so are born to die.

Still love runs bright, there in the maze before me
self-contained and whole as wild things are
desired more than breath until she’s caught
to burn the lungs with all her embered stars;
but in this dream we’re infinitely more
than we could be in sanity before.

Dry as thirst’s bones, braiding sheets to chaos,
I speak sweet life all night in liquid tongues
dancing the map of flesh that only mimics
our minds’ soft burnished labyrinths unrolled,
roads and ways in rubric, ever knotted
bound inward in a winding beaten gold.

As journey’s end returns to sunset fire
so waves of dreams break on the beach we are.
There are ligaments that severed, pain
and cripple, born of fever, born to die
and some that twine forever and remain
the knots of lovers, twined as lovers lie.






January 2012




Header Image: detail of the Uppland Runestone  (#U871) dating to the 12th century, originally located in Ölsta, a village in the county of Uppland in Sweden. Full image below.
By Mceder (Photo by Mceder at Skansen May 2005.) [Public domain], via Wikimedia Commons



Upplands Runinskrift 871 
The entire runestone. 
Process notes: The knotwork on this runestone I found through a random image search is very similar to, or perhaps just reminds me of the visual images of a rather tortuous maze from the dream that seeded this poem. It was colorized for protection by the Swedish government in 1991.

Saturday, January 7, 2012

Dead Man's Curve

Dead Man's Curve

Live as if you were already dead”
~unsourced “Zen” saying, as quoted by poet Marvin Bell.


“You don’t come back/from Dead Man’s Curve…”
~20th Century American Pop Song by Jan & Dean





The Dead Man as Poseur

The Dead Man is living as if he’d been alive, because he has it all backwards.
The Dead Man is primarily a pretentious but not harmless twit, prowling the internet, squinting at some tasty wisdom he thinks he can consume like a burrito.
He likes the way the monks' robes swish as they rake the rocks
in the sand gardens of sleeping neurons deep within an electric foreign tranquility, and thinks he must just totally must, 
have that app.
He’s staring at his navel, and sighing over the Bodhi tree; a plastic green predecorated scotch pine in the window of the home warehouse store.
Of course, there’s no reason he couldn’t sit beneath the tree, but he worries about store security, and really, he just doesn’t have the time, even though he’s supposed to be Dead 
for quite awhile.
His watch hasn’t stopped, on it tocks, so he’s still late. (If you’re pressed for time as a corpse, certainly you have no time to lose.)
But he can’t tell time very well anymore, what with the being so Dead and all.
If his eyelids hadn’t rotted, 
if his eyeballs weren’t a crow’s canapé, 
he still would look at everything and see nothing.



More about the Dead Man as Poseur


There is no more, except a Dead Man’s ego that stalks cyberfinity
and hides in the picture of a prettier girl smiling in her prom dress.
There is no more, except the Dead Man’s maw of ever gaping hunger
that dips ink brushed parchment into chocolate, and deep fries a butterfly on a stick under a maraschino cherry tree.
There is no more, except the Dead Man’s fear that the bottomless void
will suck the Dead brains right out of him and spit them into a peanut shell.
There is no more, because someone 
buried the Dead Man alive.



December 2010

Posted for   Poetics   at dVerse Poets Pub
Sheila Moore is hosting this week, and her prompt is to write a poem using the poetic device of onomatopoeia.

Process Notes: Hi, all. I am enduring some kind of nasty crud that leaves me unfit for poetic composition, or sitting up for long, so I went looking for an existing poem for the prompt. Apparently I don't use onomatopoeia much in my writing, but I found a little bit of it here, in a poem originally written in response to a prompt at the now defunct Big Tent Poetry, to write a “Dead Man’s poem” a la Marvin Bell, who's made quite a thing of this form. There are four of his Dead Man Poems at the preceding poets.org link if you want to see what they're supposed to be like--I'm afraid I found the whole thing pretentious and went off the reservation in this satire of the genre.



~*~

Disclaimer: I cannot find any source in Zen Buddhist literature for the saying Mr. Bell has used to create his genre of Dead Man's Poetry. Internet searches on these keywords will return only Mr Bell as a source. While this does not detract in any way from the independent merit of his work, I would take the assumption that it has any real citable source in Zen tradition with a grain of salt. It seems more likely to me that this is a corruption of the famous quote attributed to Gandhi: "Live as if you will die tomorrow." But that's just me. 

Friday, January 6, 2012

Totem



Totem


Spirit eater
White waltzer
secret inside my skin
snailcurled in snowdrift
sleeping, black lips closed over
teeth big as carrots, dark poppy pod eyes
shut, REM flutter stilled
silent as the melting flake;
in dreams you
come to eat the gold yolk
from the half-egg moon called
winter’s sun.

Wake
when the hunter comes
lift up your chainsaw paws and
show your ivory yellow teeth
scrimshawed and snagged by
the obduracy of your kills;
shake 
his bones from your throat
with a growl.
Ice orphan, 
White diver
            my only protection now.           

All arctic summer you sidled closer
in your need, your frost breath
following me across another country.
All summer you harvested
the sleek black bodies
of grief, turning the ice
salty red with your patience;
only the fleetest fled unfurrowed, 
melting a path to
 that stonecold 
immeasurable abyss.

When the dark time came 
and there was 
nowhere else, you wooed me
 with garnets and alabaster freshcut from all 
the sorrows' spawn you'd slain
 for me. 
So I gave you
sleep in the black heartcave
content to barter away all
yesterday’s skins
for the talisman necklace
of your ebony claws.






January 2011



Posted for   Fireblossom Friday   at real toads



Header image: Post card. Bear totem on grave. Ketchikan, Alaska.
Source: US National Archives, series: Photographs of the Inhabitants of Metlakatla, British Columbia and Metlakatla, Alaska, compiled ca. 1856 - 1936
Public Domain via wikimedia commons






Thursday, January 5, 2012

Rats

Rats



I dreamed the big storm
finally came.
The crippled tree
came through the roof.
It wasn’t bad;
it let out  all the rats,
scrambling up the
streaming branch to blow
in the screaming whirlwind.

All but the
tiniest heartheld 
within
who raised his
demon’s white snout
for an eyeblink,
then went back 
to chewing.




January 2011



55 rats plus one for the G-Man


Wednesday, January 4, 2012

Still Life in Early January



Still Life in Early January


Your long dead face
stares from its dusty boundaries
companioning the fluid smile
of life beside it.

Seven candles guard the waypoints,
bridge the river floating
the boat of the dead
out of a heart shaped shadow

abandoned territory
so long deserted there are
no inhabitants left
even in the grave.

Above the china pine
tomorrow's postcard pinned high
calls the eye to
read it one more time.



January 2012


Posted for real toads prompt The Art of Assemblage

Assembled from a list of articles in the room I write in, framed family photos, candles, figurines and postcards. 







Tuesday, January 3, 2012

Fireside Chat with the Devil

Fireside Chat with the Devil





The bite of the wine
distant and astringent
ashes that insulate 
under the tongue,
the bed of flames
a river of undulating fire
feeding on the rippled wood.

There’s a face in there, O
laughing heart, bright blue eyes orange lidded
sucking souls like the mad Eye of Sauron
outward up the inward fleche,
daring me to tango my intoxicated way
across that salient edge
between air and fuel.

There’s no out-staring
a log with a thousand eyes
bright sparks winking its entire
architecture up the chimney,
flying it ambitiously apart
to light the cold
blind stars.




January 2012






Posted for   OpenLinkNight   at dVerse Poet's Pub

Monday, January 2, 2012

A Love Song for Troubled Girls




Got Them Cosmic Silver Blues Again, Mama


Coal Black and Silver Blue
went walking after midnight
Coal say,' Blue, baby,
Things they just ain't right.
We should be Queens
We should have limosines
We should own the machines
Why for all these clownshoes
be fuckin with dynamite?

We could blow this town open
our powder's so dry
but we can't get a light
never mind a piece of the pie.'
Blue say, 'Girl I so hear what you say.'
an she picked up her dobro and began to play:

Silver Blue's Love Song for Troubled Girls

Baby don' go
Don' go again please.
It makes me cry, and it makes me wheeze,
Makes me sing the blues when
I'm really mad as hell.
Baby please don' go, and I'll never tell.

Baby come back
Baby come back please.
I'll buy you a new hat and a dipped Tastee Freeze.
I'll dress you in red and
undress you in black.
I'll sing you that tune if you'll only come back

Baby go 'way,
Go away from me please.
Don't want your true lies, don't want your disease.
Your engine blew out,

you took my last dime
Baby go way and stay gone this time.



November 2011

With apologies to the immortal Coal Black 



Header image: courtesy of The Steel Guitar Forum
Footer image: courtesy google image search

Sunday, January 1, 2012

New Year's Rulin's

New Year's Rulin's
by Woody Guthrie


These are Woody Guthrie's New Year's resolutions from 1942, via Brainpickings


Woody Guthrie's birthplace in Okemah, OK, 1979
I'm not much of a one for either blogging or making New Year's resolutions, but I came across this today, and it seems to epitomize why Woody Guthrie has always been seminal in my own life--why I moved to Oklahoma from Chicago, why I respect the working man and his sense of what's right over the philosopher and the professor, and why I love folk music.

Woody Guthrie had a hard hard life. He wrote two wonderful autobiographical books whose titles and themes express the essence of who he was, Bound for Glory, and Born to Win, a collection of writings, stories and poems, which he wrote prolifically until his health deteriorated. These titles express his boundless hope and optimism as well as his grit and determination in the face of adversity. He carried the hereditary disease of Huntington's Chorea, which leads to dementia and muscle dysfunction, he saw his sister burn to death when he was seven, his mother was confined to an insane asylum when he was 14, he lost children to fire, wives to divorce, jobs to politics, and his own ability to play the guitar through yet another fire injury. He never achieved the success, stability and recognition commensurate with his talents. Yet his writing and singing are full of hope and humor, and above all, compassion for the plight of others. 



Guthrie is most well-known today for his thousands of songs, many based on traditional folk music, which he popularized and brought from obscurity, as well as the ones he wrote himself which are considered standards. So here are a few of his songs. And I don't think anyone can go too far wrong following that list of rulin's. Now I'm going to go 'wash teeth, if any.'





"As through this world I've wandered I've seen lots of funny men;
some will rob you with a sixgun, and some with a fountain pen..." 
~Woody Guthrie













Images courtesy wikipedia