Wednesday, January 5, 2022

Factory Girl

 
 
 
 
 
 
Factory Girl

 
I remember that midwife year
you found me at the factory
holding the hand of water and
making shadows for the moon.
It was the year of cakes and blood
 
when everything was sharp with fear
waiting to be lost or born back to me
piecemeal in a box of sand.
You had a gambler's gift for tongues; fortune
loved to ripple where you stood.
 
Three times I turned a rose to tears.
Three times I spat your sugar melody
on the ground. Three times I made a man
from fire to fit your form; too soon
I saw the fourth time was no good.
 
Now I have no dreams, just hands
on fire for the work expected by the moon,
and faces in the ash I never understood.
 
 
January 2022


 
 
 
 
 
 
 
 
 
 posted for dVerse Poets


and including words from
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Record Breaking Workers At The Factory ©Pavel Filanov  Public Domain
Lightning and Volcano, unknown artist, via internet.  Fair Use
 

Monday, January 3, 2022

Hues

 


 
Hues
 
 
 He was just 
 
one of too many
born black for the factory
taught to make salt
 
into roses and clocks, just
a sole to spare the parade marshal's foot,
a board for the floor, another pot
 
of coffee for the landlord
but there was something
he got from the moon; that weary
 
knife-smile, a jones for books and
bitter truth, a taste of jazz
in his blood, and so

he became instead
the blister on the heel, the knot
in the plank, the spider in the cream,

the argument for faces.
 
 
 
 
January 2022
 
 
 

 
 
 
 
 
 
 
 posted for 
 
 
 
 
 
 
 
 
 
 
 
Note: The photo above is a snapshot of Hughes with his good friend and fellow activist, Louise Thompson Patterson, both thorns in the side of contemporary white/status quo culture as members of the Communist Party and prime movers in the Harlem Renaissance.
 
 
 
 
 
 
 
 
 
 
Images: The Shoemaker,  1945, © Jacob Lawrence   Fair Use
Louise Thompson and Langston Hughes, shipboard, circa 1915-1925  Public Domain

 
 
 
 
 

Friday, December 24, 2021

The Yule Goat

 

Happy Yule to All!

Goat watching

Yule Goat



In December’s dark descent
across crackled breaking sky ice
slivered with dagger snow,
bells ring in whitened night, sharp
hooves stamp on the cloudcloth
shaking pearl dust stripes on
emerald spruces' candelabra arms,
turquoise and white pinwheels
circling their wands
of bitter bark raven haunted.

The god of thunders 
pulls the sun's shadow,
flickering hammer tucked
in his brace of clouds,
drives his twin goats
toward the time when day
and night are strait, equals at last
as Odin's wild hunt 
passes damned, mad,
howling overhead

The Snarler and the Grinder
fleet of foot, heedless of fate
run on; tonight's feast, tomorrow’s
feat, killed for meat this starveling
night, raised at dawn.
Spread the skins and 
let each bone 
fall with care so
those here reborn 
race again on the solar wind.

O bright black eye
split with too much knowledge
devil’s mask, canting voice
of the abyss, god's bearer, hunger's enemy
come bless us this Yule with your
yellow stare, ignite yourself
against the hag’s winter storm,
flute your flames through a straw ribcage. 
Watch us make the old dance new again
under the reckless stars.
 
 






December 2011




In Norse myth, Thor was not only provided with his mountain-shattering hammer Mjölnir, his magical, strength doubling belt Megingjörð, but a chariot in which he traveled through the sky pulled by two goats, Tanngrisnir (Old Norse "teeth-barer, snarler") and Tanngnjóstr (Old Norse "teeth grinder") spoken of in the Prose Edda, who could be slain for food at Thor's discretion then resurrected with the power of Mjölnir and returned to the traces.~ from wikipedia: 'The Yule Goat is one of the oldest Scandinavian and Northern European Yule and Christmas symbols and traditions. Originally denoting the goat that was slaughtered during the Germanic pagan festival of Yule, "Yule Goat" now typically refers to a goat-figure made of straw. It is also associated with the custom of wassailing, sometimes referred to as "going Yule Goat" in Scandinavia.' As always, I've taken a few liberties with the letter of the myths.You can read more about the folklore of the Yule Goat here  and the Wild Hunt here.





Images:
Header Photo: Goat watching, by DAV.es,  on flick'r
Shared under a Creative Commons License 
Footer Photo: The Gävle goat burning, author unknown
All copyright belongs to the copyright holder

Tuesday, December 21, 2021

Age of Forfeit

 
 

 
 
 
 
 
Age of Forfeit
 
 
"..I deny the tastes and habits of the age.
 I am its punk debauche..A fierce lampoon
seeking to inherit what is necessary to forfeit.." 
~1959, Gregory Corso
 
 
 
Ten years old in '59
learning how to eat plastic
how to steal the eyes
of sorrow, how to watch the TV box
build the marshmallow engines of dreams;
learning how to flip forward and back,
an acrobat of lies, an appearance nun, bride-to-be of
Christ's money, of necrotic success, of tears
that can only come out at night.

Ten years old in '59
the decade of glorious acquisition,
born from war and set to marinate in flag-juice,
to memorize the ABC's: Avarice, Bombast, Consumption
at all costs. Eat cake on your birthday. Ignore
the bleached bones of beauty floating
in your corn flakes, the ghost-children, your peers,
who howled as they died in the split atom's vomit.
Don't look at

the malice behind the service.
Don't go too far. Don't grow your hair
or wander in the ruins of compassion;
there's no money there. Don't ask why you're 
starving on plenty, little girl, little pawn. Learn
to iron a shirt, feed the baby, please your man, work
in the cafe, at the office, behind the 
dimestore counter selling blood-paste 
for lyrically lying lips

or you'll be the joke,
the reject, the outcast forever
running for your life.
 
 

December 2021
 
 
 

 






posted for

 
 
 
 
 
 
 
 
 
 
 
 
 

Images: Fifties photographs, courtesy of Soren Larsen, © Frank Larson   Fair Use
 

Monday, December 20, 2021

The Crow-Mother

 

 
The Crow-Mother
 (a triquain)
 
 
As a child
I knew a crow-woman.
She loved shiny things, breathy south wind
and tall corn, green in the field of desire. She
wore onyx feathers grieving the time
when she had real words, not
just for me, 
but for everyone. She
was friend to doves unable to mourn,
a lover of small clouds which could never give rain,
a mother of all misplaced things: keys
coins and rings, strings, lost girls
life passed by.



December 2021















posted for Fireblossom
















Note: the triquain is a counted syllable form based on threes. It normally consists of seven lines, each line increasing in syllables by three to twelve, then decreasing again by three to the close. This is a triquain swirl, which is slightly different in containing 13 lines. (3 - 6 - 9 - 12 - 9 - 6 - 3 - 6 - 9 - 12 - 9 - 6 - 3).
 
 
Images: Crow Prince Charming, © Rene Magritte   Fair Use
Crow woman cosplay, via Sunday Muse   Fair Use 

Sunday, December 19, 2021

Sevenling: Owl In The Night

 
 

 
 
 
 
 Sevenling: Owl In The Night



Owl in the night
mouse in the grass
wind behind wide wings

like my own heart I feel you fly
my voice a mouse-cry
as wide wings beat the light from

the moon to my eye.



December 2021
 
 
 

 
 
 
posted for Fireblossom
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Note on sevenlings if you haven't met one before: "The sevenling is a poem of seven lines inspired by the form of [a].. much translated short verse by Anna Akhmatova (1889 - 1966)...The first three lines should contain an element of three - three connected or contrasting statements, or a list of three details, names or possibilities..lines four to six should similarly contain an element of three connected directly or indirectly or not at all..The seventh line should act as a narrative summary or punchline or as an unusual juxtaposition..A sevenling should be titled Sevenling followed by the first few words in parentheses The tone of the sevenling should be mysterious, offbeat or disturbing, giving a feeling that only part of the story is being told.."~Roddy Lumsden
 
 
 
 
 
 
Images: Owl and Moon, ©Alan Perry All Rights Reserved Fair Use
birdperson image author unknown via Sunday Muse Fair Use
 

Saturday, December 18, 2021

Kowboy Katzenjammer

 
 

 
 
 
 
 
 Kowboy Katzenjammer


When Kowboy Katzenjammer
comes to Kittycon
he always brings his religion.

Sixgun and spurs
forecast high-noon confessions
and lavish donations.

He preaches tomcat gospel
to green-eyed kittens
in sharp ears and lazy ribbons,

offers his cardboard box
in the church of broken locks
to a fury of furries

 trading their fur
for a two-second purr.
 
 
 
 
December 2021
 
 
 
 
 
 

posted for Fireblossom

 
 
 
 
 
 
 
 
 
 
 
Note:This 55 uses the following words from Shay's Word List (Laura Nyro), which I did not include in my previous poem for that prompt: confession,forecast,fury,lazy,religion,tomcat



Image via Sunday Muse   Fair use
 
 
 

Wednesday, December 15, 2021

Starlorn

 
 
 

 
 
 
 
 Starlorn
(a 55)
 
 
 
The black dog runs
on the wind that
reaps the world.
 
He bites starlorn
at the moon who knows
his teeth will find marrow.
 
Behind him comes
the scythe that cuts tomorrow
down to bone.
 
Moon must learn to bleed,
monkeys to eat snow,
man to live on tears
where the black dog runs.
 

December 2021



 

 
 
 
 
 
 
 
 
posted for Dverse Poets
 
 
 
 
 
 
 
 
 
 
 
 
Images: Moonrise, 1884, © Stanislaw Maslowski   Public Domain
Wolf-Dog, manipulated, 1976 © Jamie Wyeth  Public Domain