Wednesday, March 16, 2022

Home With The Diatoms

 
 

 
 
Home With The Diatoms
 
 
When I was a child
before sleep we prayed
for love to be shown, for safety to stay,
starved children in Korea to be saved.
Then the light would go off.
I'd put my real bed
of conches and nautilus twists
under the toss of the night's waves.

Regal on the seafloor
shells poked their bubbling heads
up out of snow-sand. Aquarelle fins and
gold-grey eye-globes blinked around me,
all greeted with a princess flip
of my green-scaled tail.
Reclined with coelacanths,
eyes blueing in my head,

all my mother-cut hair grown
long as a squid's arm,
I waited to swim into sleep,
watching the shadows of
far-above gulls mottle the green ceiling,
alone yet blanketed in
life watching over me, drowsing
to the epochs' stereopticon flash.

When we met in the deluge
you called in a lost language
for that nightspell to rise, to link us,
to sink us completely
in diatoms, wave after wave,
kissing underwater, not afraid to breathe
not afraid to drown, kelp-hair
in the undertow fanned and fluttered

summoned by a sea-fire of peace
to make ashes of fear.
 


March 2022











posted for earthweal's weekly challenge:















Process note: "..Diatoms are unicellular [microalgae]: they occur either as solitary cells or in colonies, which can take the shape of ribbons, fans, zigzags, or stars..Living diatoms make up a significant portion of the Earth's biomass: they generate about 20 to 50 percent of the oxygen produced on the planet each year,  take in over 6.7 billion metric tons of silicon each year from the waters in which they live, and constitute nearly half of the organic material found in the oceans..."~wikipedia
 
 
 
 
 
 
 
 
 
 
Images: The Bright Liquid, © Edmond Dulac    Fair Use
Pink Shell With Sea Weed, 1937  © Georgia O'Keefe    Fair Use

Tuesday, March 15, 2022

Après La Révolution

 


 

 

 

Après La Révolution
 
 
After the revolution we
became the aristos.
 
I fell in love with a
prince of the butterscotch castle
but I could never get past
the guillotine in his head, the wolf
hissing in his flock of noise,
the glitter-ship in his bottle
waiting each day to sail him away.
 
All the devils of summer
came to our parties, flashing
their ruby eyes in the dark, stealing
my stockings, hiding the postman,
eating the silverware. I made a centerpiece
from applecores, black horns and tail-spikes
and called it art diabolique.
 
When the winter night
finally flapped its starstained carpet
over the horizon, its patterns worn
and indistinct as we were, all
the stardust beaten out of us, I knew
we wouldn't make it to the end,
or even to France.
 
La révolution est morte.
Vive la révolution.
 
 
 
March 2022
 
 
 
 

 





posted for 
Shay's Word List #17
















Images: Study for the Spanish Dance, 1879, © John Singer Sargent  Fair Use

Charlotte Corday, 1860,  ©Paul-Jacques-Aimé Baudry   Fair Use

Sunday, March 13, 2022

Flowers Of The Moon

 
 


 
Flowers Of The Moon
 
 
 
The moon rocked in its cradle
hunched down on its paws
reluctant to rise
 
while the sharpened stars stared
and ice fell like blades
on the night she was born.
 
She wanted flowers,
hands to hold, a round-
bellied pony with liquid eyes
 
but they gave her knives, so
she learned to juggle.
There was plenty of work.
 
 "Stand back." she said,
"I could put out your eye easy
as breathing. I could and I might." 

The moon crept up to
the crossroads.The stars fell asleep.
The knives rose and spun
 
whirled and glittered like
blue ice flying
til one by one they fell
 
from her scarred hands.
"I've no time for this trade," she said,
"where every mistake bleeds,
 
where every hit frightens.
The moon needs a gardener
for roses to grow."
 



March 2022





 
 
 
 
 
 
 
 posted for
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images; Sunset at the North Pole, author unknown,     Fair Use
Girl Juggling Knives, unknown source via Sunday Muse,   Fair Use

Friday, March 11, 2022

Ave Atque Vale

 
 
 


Ave Atque Vale
 
 
 
 
Though
they make
your eyes shine
your hand reach out
not even these dreams can make you love me.
 
It's cruel time breaks like glass but crueler still
to see you smile
as if you
want me
still.
 
 
 
 
 
 
March 2022
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
posted for dVerse Poets: Meeting the Bar
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Hands, © Eugeny Kozhevnikov   Fair Use
Vistation, photomanipulation © joyannjones

Wednesday, March 9, 2022

Crows In The Snow

 
 
 
 

 
 
Crows In The Snow
 
 
In the cold, in the silenced sun,
the eye reaches out
against the blind blizzard
for the heart of the rose.
 
In the fall of a dark feather
petals unfold
shed stark on the snow
in a blackness of crows.
 
Everything glittering
 comes to their eyes
as a clamor that heals;
gold light on the ice,
 
 
black feathers for blood ink,
 rosebuds from their beaks--
all dropped at my feet,
these bones in disguise.


March 2022

 
 
 

 
 
 
 
 
 
 posted for earthweal's
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Living antlers, artist unknown, via internet     Fair Use
Raven Steals The Sun, © Aaron Purcell     Fair Use

Tuesday, March 8, 2022

Cameo

 
 
 

 
 
Cameo
 
 

He knew it was all over. He was down to bit parts and baked beans, and infinite hours at the crusted table nursing shots of Old Peculiar. He was tired of the smell of dead fire, of himself, of the screams as cops kicked random drunks even more senseless outside the back door.  But she'd said to meet her here, after the curtain came down like a sickness for the last time, so he stayed til midnight, hopeful as a hundred other nights, and then walked home, no longer waiting, no longer thinking, just a papier mache lump reformed in the basin of losing it all. 

Yet that Sunday, as the wind blew streamers of wet newspaper across the moon, in the patter of the rain over his dissolving steps he heard her laughing, shockingly close in the black rippling dark, posed like Love when she dismisses her bodyguards, and carelessly makes a throwaway cameo just to keep her hand in. He'd imagined Natasha for twenty years, her compound bow lips and blackbird eyes, and here she was, if he hurried, disappearing down the street while the winos gaped, trailing her spiny excuses like porcupines, to lead him to that submarine she kept, down in the River Styx.

 

 

March 2022

 

 


 


posted for
Shay's Word List #16











Note: I've never read Barthelme, nor do I pretend to understand post-modernism, and I really don't know where this came from as I don't normally do prose. It's a mystery.



Images: Sunday, 1926 © Edward Hopper   Fair Use
Ballarina in a Death's Head, © Salvador Dali   Fair Use

Friday, March 4, 2022

The Night Circus

 


 

 The Night Circus
 (a 55)
 
 
You told me
my eyes
were lanterns.
 
You stood them
around the bigtop
while you brushed
 
the clouds into my hair,
then on the highwire,
where you washed
 
in the moon;
but the wind came
and took their fire.
 
The night-circus burned.
 My hair flew up
in silver flames
 
of moon-twisted sun,
 
and I ran.

 
 
 March 2022




 
 
 
 
 
posted for dVerse Poets
 
 
 
 
 









Images: Head in the Clouds, photomanipulation © Thomas Dodd  Fair Use
Paysage Orageux, 1901 photographer unknown  Fair Use

Tuesday, March 1, 2022

On The Bright Turning Page

 
 
 

 
 
On The Bright Turning Page
 (A sonnet)



 
On the bright turning page of spring's uproar
when the ferry sailed from day to dreadful night
with one upon the deck, one left on shore,
an annotation jotted down in stricken twilight,
I heard the winter laugh like truculent swans,
as white lilies bobbed their lovely idiot heads;
I saw a volume could be made of broken bonds,
the long ballad of peace sent hungry to its bed.
 
The bear brings ash upon its ailing breath
when fire flies from frightened children's hands.
When two forces clash in a quarrel to the death
no stone, no garden wall or house can stand;
 
but awash in azure sky, flowers of the sun
grow wild beneath the smell of smoke and guns.
 
 
 
 
 March, 2022







 
 
 
 
 
 
 
 
 
 
 posted  in solidarity with Ukraine
for Shay's Word List #15:
 
 
 
 
 
 
 
 
 Note: many of Millay's poems are sonnets, and she often used the first line as her title. I've borrowed that stylistic aspect here.
 
 
 
 
 
 
Images: Lilies, © Constantin Artachino     Fair Use
Sunflower, 1965 © Georgia O'Keefe           Fair Use