Thursday, February 20, 2014

Wind Chant



Wind Chant







The wind slaps the cedars
and pushes the pines.
Earth rocks restless horses
in a field that's not mine.
The sky runs on cloud-juice
and blue-bottle wine,

while stars fall for nothing,
Moon sits on her hair,
grass has gone dappled
as a piebald mare;

the wind strips the blackjacks,
saying
Let them wear air.






~February 2014





55 windy wisps of plain jane doggerel for    the g-man

The Polar Sucktex gave us some freakish winds to keep the earthquakes company today.


Optional Musical Accompaniment




Photos: Wind in the Pines, Blackjack Striptease, both copyright joyannjones 2014
All Rights Reserved.

Wednesday, February 19, 2014

Starfall


Starfall




At the end of shared hours
when Orion comes down
different, half-human
dancing on stick legs
shaking that starry ass
wrapped in tigerbones rattling
and his buskins on fire,

when dust wind strips the juniper and
 ice roofs her sloe-eyed collection,
 when teeth tease at cardboard,
when giants below
once contained stir and wake,
pound the fragile ceiling
till dry-sucked stones shake,

then I step out with you here
in the chaos men make, where
our dance is illegal, semi-ruined as Orion
our possibilities too tight
our red shoes on fire,
while the plague ship sinks last
while the rough beast drinks chance.

In the deep doubt of sleep
it's dance, drop or cry
and we
are too young to die
too old to weep.


~February 2014







posted for     real toads
Challenge: Get Listed
Kenia Cris has chosen a science fiction focus for her word list prompt, and has used words from the Philip K Dick novel, Do Androids Dream of Electric Sheep? (loosely reincarnated in the movie Bladerunner,) which portrays a bleak, dystopian future that seems more likely and less sci-fi with every passing year. I have borrowed thirteen or so of these words here; for the full list see the Toads link above.


Process note: The Eastern Red Cedar(Juniperus virginiana) has berries that are blue-black in winter, like the berries of the blackthorn known as sloe. On stanza two: We have had drought, extreme cold, and ice storms here this winter, and  100-plus earthquakes and tremors in the last few days. Dry-sucked refers to the process of fracking.







Top Image: Untitled,1978,  by Zdislav Beksinksi via wikipaintings.org
May be protected by copyright. Posted here under fair use guidelines.
Footer: Study for the Spanish Dance, 1879, by John Singer Sargent
Public Domain, via wikipaintings.org









Sunday, February 16, 2014

Morning Light





Morning Light
A Quatern


You are morning of my last day
the saw sun that cuts through the bars
the smell of earth as frost lifts
the runes and stars on my back

dripping off the indigo night.
You are morning of my last day;
a thunder that promises rain,
a place where the outside comes in,

where blue sky of invisible moon
blankets a raised lacework of scars.
On the morning of my last day
you're a rose wind with too much to say,

my foxfire harp in the dawn, 
the tectonic bend at the end;
how I'll never know where you are
like the morning of my last day.





~February 2014










 posted for     real toads
Sunday  Form Challenge: The Quatern
Kerry O'Connor once again presents us with a fascinating form to explore: the quatern. She informs us: 'A Quatern is a sixteen line French form composed of four quatrains. It is similar to the Kyrielle, which repeats line 4 as a refrain throughout the poem. However, with the Quatern, the refrain is in a different place in each quatrain....' For full details, see the link above. After much experiment, I chose not to rhyme this one, except coincidentally . There is also one line with nine syllables--you will just have to shoot me.













Top Image: Cape Cod Morning, 1950, by Edward Hopper
Footer: Early Morning, 1942, by Rene Magritte
May be protected by copyright~posted under fair use guidelines.

Friday, February 14, 2014

Broken Glass


Broken Glass


In the stained glass woods
colors fly, cricketsong falls
into the well that has no bottom. 
Life is light poured small
till form forks heavy-footed.

Wind-flown through the ripening
acid of air, bees of bright gold
halt and falter.
Things of the black wing
know without being told

to gather.
Birds of harlequin feather,
fins of the blue wash
hit the cliff's edge together.
Stained glass breaks

in the sudden
shatter-clashing of bones.
What can't live without plunder
eats the world and itself,
discussing the corpse asunder.

This wind murders rice.
The weak will die twice
in the knowing wealth wastes;
bees will make honey
or husks from what they taste.


~February 2014




posted for    real toads
Interpretations with Margaret: The Art of Toril Fisher
The artist's eye of Margaret Bednar focuses us on the graceful artwork of Toril Fisher, of  Second Cloud on the Left Farm., who is "..currently working on a series of paintings rehabilitating old beehive lids she found in the woods. Her hope is that by placing images of our relationship to nature on the homes which housed these vital and beautiful creatures, she might begin a conversation...[on]... the beauty and interconnectedness of all living creatures..." For more information on this artist and the challenge, see the Real Toads link above.



Process Notes: This poem covers several themes. I have written about Colony Collapse Disorder before, but only recently heard about the ongoing  acidification of our oceans  due to CO2, which among other factors, including accelerating climate change, may possibly threaten a  sixth mass extinction of species. You can read about all these frightening concepts in detail at the links.





Artwork: Kaleidoscope Creek, copyright Toril Fisher
Used with permission.

Monday, February 10, 2014

Century





Century


A hundred years ago
you came to undo my buttons
throw my calico skirt, my muslin shift
over the moon, unpeeled teal eyes to
lay me down in piney night,
exhaled a smoke ring sigh to drift
around me, knotted tight
in deep green black.

Now I spit this centenary curse:
that we ever came back
to the skins we couldn't shed
on that cabin floor,
from murmuring boards so old
they glowed snake blue, luminous
as the windfall shapes we wore,
dropped apples of a slanting  

summergone sun. I walked
like a freckled young lioness
before she learns her scarlet roar,
my mane of stars 
shook out on the jade inflow;

who could know I'd die there under the gun
a hundred years ago?


~January 2013


posted for    real toads
Open Link Monday




This poem appears, along with 35 additional poems of mine, in our new book, 
Three Note Howl:The Wild Hunt,
 which I am flogging here only once, I promise.

 All the poems in this book were meticulously gathered, transcribed and  
due totally to the industry, persistence and generosity of Shay Simmons,(Fireblossom) who dragged me kicking and screaming once again into the world of published material, and who has graciously allowed both the talented Mama Zen and myself to share space with 64 of her own brilliant poems.

 Thank you, Shay, thanks to Kerry O'Connor and  all the Real Toads, and to everyone who reads and comments here for the impetus to continue writing,  and to  all who were so encouraging and supportive of our first effort.






Header: Cabin Under the Trees, Paul Gauguin, 1892
Public Domain, via wikipaintings.org
Footer: Jungle with Lion, Henri Rousseau, 1910
Public Domain, via wikipaintings.org