Saturday, November 7, 2015

The Choice


The Choice





Will you come
to me from
the vault of Echo,
 even whose music is a rattle
of nonsense, or from

the folded hills of Titans' silence,
where the field is taken by
a random coup of indiscriminate stars
and night rides naked, protected
by her black birds?



~November 2015














posted for     real toads














Images:
Top: Night, 1917, by Albert Bloch, Fair use via wikiart.org
Footer: Night, 1880, by Gustave Moreau, Public domain via wikart.org







Wednesday, November 4, 2015

The New Prometheus


The New Prometheus


(a sonnet of sorts)






Into my waking dream you sometimes come
to take the thing I no longer thought I had.
Your staccato rhythms on my flesh-tuned drum
give me the soaring solace of the mad.
So full of the gods' unbanked Promethean fire,
you make theft a gift and violation a desire
so warm with love there can only be surrender--
my cold inertia to what will melt and render.

This fantasy lightning-bought, hot-wired to life,
flash-frankensteined to fit my hid ambitions,
like an army drilled in invisible munitions
I name imagination's blurred-blade knife,
yet I have no surgeon's intimacy with death's bite;
I can't claim this illumination as my own light.





~November 2015












Process Note: The subtitle of Mary Shelley's iconic Frankenstein was The Modern Prometheus, a reference to the cost, perhaps, of bringing things to life. Also, I call this a sonnet, but I'm afraid I have not paid much attention to the proper meter or rhyme scheme.








Images:
Top:The Beethoven Frieze: The Longing For Happiness Finds Repose In Poetry, Right Wall, detail. 1902 by Gustav Klimt. Public Domain, manipulated.
 Public domain, manipulated.


Saturday, October 31, 2015

Two Samhain Candles


Samhain Candle


The dead
are
close tonight
I feel 
their lost-boy's breath
thru their party clothes.
They ask
pardon for
drunken nights,
lies'
glancing blows; that 

for the love we had
I somehow find 
 the decorated joy of

being kind;
for death does not erase
the blotted soul,
but lightens
the little sins 
that make us whole.


~October 2015




I have written a second 55 this morning, as I woke up thinking of my grandmother.
(Reading is, of course, optional.)







Lilac And Apples
for Clara





You gave
lilac, green apples,
sugared coffee and cream;
no screams, no disorder
ever-bendable conditions.
We snipped bits of saintpaulia
to lay down on the earth and
they'd bloom in a year
pink-purple, felt-smooth.
Your wealth was in flowers and in loving's full sum,
and mine in your arms where no bad thing might come.


~October 31, 2015 








posted for    real toads














Images:
Top: Stormlight, copyright joyannjones 2014
Footer: Saintpaulia and the fire of  the candle
creative commons license via wikimedia.com



The Cat in the Well~A Halloween Fantasia

It's here at last! Halloween, All Hallows, All Souls Day, The Day of the Dead, whatever you care to call it; my favorite holiday. To commemorate it, I repost this nice cozy horror poem, as I have every Halloween since it was first written, a little Verse Escape tradition. Enjoy!






The Cat in the Well



My name is not Odin (I forget my name) but I’ve lived
in the well for a mad moon’s making, alone with the roots,
the deep water oozing and lapping the bones’ sweet arch
that lifts my home, my tumulus a wet black mouth, alone
till the cat fell. My dying was long, my strength nearly gone
till the cat fell, till the cat came down the well.

Odin was a god (so I heard before this spell.) Death gave him back,
yet a well took him in, his eye for a drink from the frost giant’s blood
below Yggdrasil. I am not he, but a shrunken spriggan,
devil’s daughter, giants’ kin, hung here stranded in small skin
to guard what I can't spend when the faith gave way gave out gave in.
Even the dark forgets my names, forgets my games,
even the dark, till the one I played at with the fallen cat.

For when the cat fell, the light (so remote, so white) blazed
sudden, sure it could end the dead dream that crawls my veins
of a land where we once loomed large long gone;
because of that I let him live, alone of them all. He took my hands,
he took my tongue. He gave his eyes, I loth to stop what he’d begun.
He took my tongue the cat that fell, the cat come down the well.

So we climbed mossy walls (my cat tail lashing) dank with the muck
of an ancient thralling, slippery with uneaten grief, treasure slid wry,
each stone a stele for a life thrown away, each drop in the bucket red
until we came to the rim, and his amber eyes set in mine
began to shine, began to glow so all should know
the spirit cat was up from the well, with many another tale to tell;
the spirit cat that fell, the cat that came up from the well.



~October 26,2011
reposted October 31, 2015, slightly revised
Original notes:
I've mingled (or perhaps mangled) several different archetypes here: 
Odin, god of war, poetry,prophecy and magic in Norse myth traded his eye for a drink from Mimir's well, where the ancient wisdom of the frost giants was said to flow up from beneath the world tree Yggdrasil from the primordial void of Chaos. 
A spriggan is a mostly malevolent spirit from Cornish folklore, generally found guarding treasure in burial mounds or the like, believed to be small ghosts of an earlier race of giants. 
Cats, of course, were thought to be malignant, and often said to be familiars of witches or demons in medieval belief. Other cultures, such as the Ancient Egyptians, have held them sacred, and believed they possessed various magical qualities.



Special thanks to my son for the video he sent, which set me off on this particular trip, and to Brendan, for his input on the one-eyed god of the hanged.
Image: Cat on a Roof, by Ferdnando Botero, fair use via wikiart.org

Friday, October 30, 2015

Revenant



Burne-Jones-le-Vampire

Revenant
 
 
 

The cool breath of the dead sighs down the hall.
It peels my soul like an old potato,
thick slices of skin and soft woody flesh
dropping in a spiral on the kitchen table of this
tired life.

A speaking shadow stands at the door,
an empty replicant.
A grey curse hangs over him
like the sullenness of unshed rain
blowing past a withering crop.

Huddled in the closed grave of my bed
I compose my bones in paleolithic repose
with dry flowers, an awl of horn,
a broken string of red beads 
       drifted with earth,
waiting for the ending of that next birth.

O I hear you out there,
rapping, knocking, calling
with a mute vibration
begging to come in and have me.

O I answered last time and see
See me now.

Roll the rock and stop the door.
Put the holy symbol round my neck.
Only keep
    the shadow
                  out.


~March 1991, reposted for the 2015 hallows of October
 
 

This poem feels very young to me now. October is also the anniversary month of Verse Escape, which turns 5 this year.



Illustration: The Vampire, by Philip Burne-Jones  (1861-1926)
Philip Burne-Jones [Public domain], via Wikimedia Commons