Showing posts with label mea maxima culpa. Show all posts
Showing posts with label mea maxima culpa. Show all posts

Wednesday, August 27, 2014

Stone


Stone






I know I'll be measured
by the thing I couldn't help,

ruled by an epitaph:
'all-my-fault' on a headstone

completely unneeded; stone enough I've been.
Set upright in light with bloodshed and pain

to show 
there's no safety in darkness,

still, still 
I cover my eyes.


 ~August 2014




posted for     real toads


Challenge: Words Count with Mama Zen
That woman of few words, Mama Zen (Another Damn Poetry Blog) asks us to examine if --and how--we are weird. Not far to look for me. Words have been hard to find of late, but I did manage to drag out 46.







Image: Unidentified standing stone between Millstreet and Ballinagree, County Cork, Ireland
Public Domain via wikimedia commons





Tuesday, July 8, 2014

Don't Look Back


Don't Look Back





Out of the carnage
from the wriggling wreck
what is left
a snatch of song
a smile of peace
gone before the singing  stops.

Impossible to see
what comes next, looking back
as you kill
what pain you can
yet feel it still
in each step on.

Sanity's made from buzz and busy,
a cubical sanctuary;
you can't look back
if you want to sleep
you can't look back
but you, eyes wide, you do

to see just why
there's no forgiveness
no respite, no sacramental
wafer, wishing wine,
heart cupped dry
in the long walk on;

only the thirst,
the broken things,
only the knowledge
dropped from the tree
and the snake who nods
and sings.




~July 2014





Image: Haywain Triptych, circa 1500, by Heironomous Bosch
Public Domain via wikiart.org:
"Although similar to the Garden of Earthly Delights triptych, the Haywain Triptych is a less fantastical and nightmarish depiction of the same tale. From the left to the right, the panels depict God creating Eve from one of Adam’s ribs, earthly humans engaging in all types of sins, and a portrayal of the journey into hell. This journey through good and evil is a much less terrifying tale, as it details the many sins of humans, yet does not detail the frightfully lurid and shocking horrors under the watchful eye of the prince of hell. The outer panels of the triptych, when closed, detail a character called the wayfarer, who makes his way through the panels and through the journey from good to evil, allowing the viewer to place himself inside the world of the triptych, and take the journey along with him."  Ibid.

Sunday, May 25, 2014

Stone Ghost




Stone Ghost
A Terzanelle (of sorts)
for RCC





There was a ghost then
who seemed to touch my face
who smiled without the words again,

black horses in a broken race.
He thought he was alive;
I thought he touched my face.

I only counted up to five
fingers of flesh and air;
He thought I was alive

when we walked handfast there
above a sea of dust,
soft dolls of flesh and air,

the sharp cliffs shadowed rust
as sun bleached caryatid hair
waved white in a sea of dust,

snagged on the moon's rocking chair.
There was another ghost then,
with a sun blind caryatid stare,
no smile, only words to make it end.




~May 2014







posted for      real toads



Challenge: Play it Again
Margaret Bednar(Art Happens365) once again asks us to pull a challenge from the abundant archives at the Imaginary Garden With Real Toads. I have chosen Kerry's most recent form challenge, the terzanelle, but with apologies, because, as usual, I've not attempted pentameter, or even a ten-syllable line count, and taken a few liberties as well in slightly altering the refrain lines.












Photo: Caryatid, via wikimedia commons

Friday, December 27, 2013

Hands of Winter



Hands Of Winter






In the time
when day runs away from night
leaving it swelling 
its starveling importance,
when shadow rimes the starling's wing
when the doe-rabbit shivers
in the scant iced grass
pretending to be naught,
winter's hands come
threaded with clouds,
sewing over living and dead
the sleet-seamed shell of cold
that can't 
be wished away.



~December 2013













55 shiny pellets of sleet for       the g-man











Photo ©  joyannjones 2013






Thursday, March 28, 2013

Paper Dolls



Black & White Paper Doll


Paperdolls





She put her gypsy slipper
down in his devil's dance,
drank from an indigo dipper
the shaman spit of trance.
His jesuitical jive
was the music that kept her alive;
in each mask she put crosswise
her own wash denim eyes,
then cut paperdoll lovers apart
from the thin
parchment skin
of a roadkill heart.

.


~March 2013




55 flat dolls in a chain for   the g-man











Hover mouse for image attribution, or click to go to the photographer's flick'r page.