Saturday, June 11, 2011

Off The Shelf Archive ~ June

I know I'm not reading enough poetry when these archives stay so long untended. I'm glad therefor to have recently started a journey--odyssey might be a better word--through the massive compilation of an incredible life's work that is The Collected Poems of Ted Hughes. 

Almost 1200 pages of verse, the book is daunting in scope, yet pretty friendly on a page by page basis. Hughes first became prominent as a poet in the 1950's and was Poet Laureate of Britain from 1984 until his death in 1998. As I've just started dipping into this huge volume, I'm selecting from his earlier work a piece that particularly struck me called The Howling of Wolves, from the 1967 collection entitled Wodwo

You'll find it here in the   Off The Shelf Archives.

Hughes'  full bio is easily available online for more of the messy, painful details that seem to make up most great poets' lives, at The Poetry Foundation and many other sites. I don't include them here as I think they distract more than add in this case.

The previous Off the Shelf selection, two poems by Theodore Roethke, are moved below for a final perusal.

As always, feel free to comment on either post here, as comments are disabled off the main page,  and suggestions for the next selection are always welcome.

Here for their last dance on this site are Journey into the Interior, and Dolor, by Theodore Roethke:







Journey Into The Interior


In the long journey out of the self,
There are many detours, washed-out interrupted raw places
Where the shale slides dangerously
And the back wheels hang almost over the edge
At the sudden veering, the moment of turning.
Better to hug close, wary of rubble and falling stones.
The arroyo cracking the road, the wind-bitten buttes, the canyons,
Creeks swollen in midsummer from the flash-flood roaring into the narrow valley.
Reeds beaten flat by wind and rain,
Grey from the long winter, burnt at the base in late summer.
-- Or the path narrowing,
Winding upward toward the stream with its sharp stones,
The upland of alder and birchtrees,
Through the swamp alive with quicksand,
The way blocked at last by a fallen fir-tree,
The thickets darkening,
The ravines ugly.
by Theodore Roethke
Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplication of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate grey standard faces. 
by Theodore Roethke



courtesy deviantArt






Thursday, June 9, 2011

Friday Flash 55 ~ Gluttony




Gluttony


With a mouth of fire, the sun’s too near
blowing his bombast
at earth's adverse ear
in a quarreling blast
all the neighbors can hear.

Pushing out his glutton's tongue,
licking leaves, collar undone,
he laps giraffe-like, drooling heat,
strips the green limb
withers the bloom
without even
the excuse
of
needing to eat.



June 2011
A summer nursery rhyme in 55 words

posted for    Friday Flash 55   at the G-Man's

Image of the sun courtesy National Weather Service Space Weather Prediction Center 






Tuesday, June 7, 2011

Forensics




Forensics



Shall we do an autopsy
on the thing that’s dead between us? 
Shall we look at the floor and say,
“The directionality of the blood splatter
is consistent with arterial spray?”

Which of us will play the coroner 
in this cold case reconstruction?

I say I have determined
the cause of death to be asphyxia.
The victim was burked, killed the way a lion 
sometimes smothers a buffalo, 
by clamping its jaws over the muzzle,

replacing breath for breath. I can tell
by the swollen heart, the eyes and lungs,

where the petechial hemorrhaging shows
all the hypoxic arguments ended in
our fingers breaking the hyoid bone, closing
the muzzle, crushing the words.You say 
it's plain by the rosy pink of the lividity

that the body has been subjected to
prolonged, intense cold. Decomp's begun;

the tissues begin to fail, the cornea dulls
so that looking at each other, no ectoplasmic
bridge springs up, nothing of affinity in eyes 
dead red, sightless wide. We've come
to the limit of forensics. No chromatography,

no strike of a DNA match
can light up this black puzzle.



June 2011



Posted for OneShotWednesday  at the inimitable OneStopPoetry


“...The term "burking" comes from the method William Burke and William Hare used to kill their victims during the West Port murders. They killed the usually-intoxicated victims by sitting on their chests and suffocating them by putting a hand over their nose and mouth, while using the other hand to push the victim's jaw up. The corpses had no visible injuries, and were supplied to medical schools for money.”




Image courtesy google image search, no credits available, originating site 


Monday, June 6, 2011

Cobweb




Cobweb


I am the cobweb
made of dust and air
no spider built me
only phantom chance, langourous
indolence, neglect, averted eye
let me collect here in this unregarded shaft
draping the wall with my
restless lace
that stirs in every draft.

No traps here,
not the arachnid’s viscous seine
engineered across the appropriate frame
catching stray bits of buzzing
memory and event,
draining them dry, binding them dead.
Just the droop and hang
of old debris,
clasping itself for company,

an unconscious instrument, slowly
 fading random wing to wind
making a tattered pattern
lighter than silk, greyer than age
that all words, feeling, thoughts, time
find free passage through;
a driftdance of languid motes
on each sunlit breath
drawn by the living day.

June 2011


Posted for  Form Monday  at the inimitable OneStopPoetry

OneStopPoetry is featuring a month of articles on free verse in June, the first of which I have the honor of guest hosting today.
Thanks to Gay Cannon and all the OneStop Team.






Sunday, June 5, 2011

Under the Purple Leaf



Under the Purple Leaf


Something about the faerie girl
the way she makes the green leaf curl
to show it’s purple blood within
then laughs beneath its tarpaulin,

something about her isn’t right
and yet she's perfect in the night,
her violet eyes that come and go
too bright, too wise in the briar shadow

as she steps her ivory feet, each toe
bends like wicker in her leafy shoe;
something about her smiling seems
to drift the air with breathing dreams.

She's so wicked soft and small
she almost isn’t there at all
under the tumbling  purple where
the moon casts darkness on her hair.

Something about the faerie girl
makes my northern neckhairs curl,
makes me back up pace by pace
and leave her here to own this place.



June 2011

Posted for   real toads
Open Link Monday



(Originally Posted for   OneShootSunday   at the inimitable OneStopPoetry)




Note: the photograph used for this prompt is no longer available for duplication,
but Purple Phase, by Rob Hanson, can still be viewed on
Rob Hanson's website

Current Image: Canna with purple crape myrtle foliage,
© joyannjones 2012





Saturday, June 4, 2011

Musical Interlude ~ Bizarre Remnants of the Past

The music of the times between now and then seems to be hanging out in my head today. These cuts in particular. The first is The Alan Parsons Project, from Tales of Mystery and Imagination, their 1976 album tribute to Edgar Allen Poe, The System of Dr Tarr and Professor Fether. Parsons worked on Abbey Road and Let it Be, as well as  Pink Floyd's Dark Side of the Moon as sound engineer, and co-wrote and built the tunes on this album with a Scots lawyer-musician named Eric Woolfson. Kind of sums up in a different way the message of Life in the Fast Lane Henley & the boys from the Eagles were peddling in California.

"...and the night goes on forever / then you might / change like the weather / you're in need of Dr Tarr and Professor Fether..."




Have to slip in my favorite Eighties dance band, The Talking Heads, of whose snarky and surreal delivery so many bands now partake, doing their classic Life During Wartime. The lyrics are political, topical and quite decent --you can read them here.  I like this live TV version for its garage band psychedelic guitar breaks provided by Adrian Belew (King Crimson.) I remember when I could make it through this whole song dancing my ass off without having to take a break--*sigh*--

"...Burned all my notebooks, what good are notebooks?/They won't help me survive/My chest is aching, burns like a furnace,/the burning keeps me alive..."





Last up is my fave pity-party song,  Losing my Religion, from R.E.M.'s 1991 album Out of Time.  I've chosen a live version from 1991 as the music video one is  way too over the top and syruppy for my tastes. This one lets the lyrics come through for the straight-up, (albeit somewhat gooshy & melodramatic) poetry they are. The combination of the crowd echo dully surging in the background and Michael Stipe's goatlike vibrato on the vocal makes it sound like it's being sung from one of the lower circles of hell (which can only add, imo):





"Life is bigger, bigger than you, and you are not me / who thinks that I can go to / the distance in your eyes..."




Friday, June 3, 2011

The Sun King






The Sun King Comes to America 
A Rondeau


The Sun King’s here, stiff with a smile,
robes of brocade, gold tongue of guile.
Dappled mist melts, senses take flight.
Owl is proved wrong and buzzard right,
the Sun King’s here.

His rays rain over mile on mile,
burning the fair, shading the vile;
angels' despair, gamblers' delight,
with all our gold to spend tonight,
the Sun King’s here.

Darkness slaps back light’s denial.
Truth keeps her mouth shut at the trial.
Gaia bleeds out, war-weak and white,
drained by a blindworm parasite.
Drinking nectar, excreting bile,
the Sun King’s here.

June 2011


Posted for  Friday Poetically  at the inimitable OneStopPoetry
Friday Poetically is hosted by Brian Miller, who I hope will forgive me for taking liberties with his prompt, which was to "write a poem about the sun, heat or use it as a metaphor..." 


The rondeau form is explained here at wikipedia


Louis XIV… known as the Sun King was an absolute monarch, King of France from 1643 to 1715(72 years.) You can find out a bit more about him at his wikipedia  entry if interested. I have chosen to employ him here in a symbolic aspect.

Gaea (Gaia)~the ancient Greek goddess of the earth, mother of the Titans.

Image: Louis XIV as Apollo, 1653,  artist not named, courtesy of wikimedia commons

Thursday, June 2, 2011

Friday Flash 55 ~ Ghost Story

Fairy tale ghost


Ghost Story


 Never there

not
what you seem,
 in anyone's house,
century, galaxy, dream,
mid-air 
in steampunk nightmare,

 where osseous cab horses
shy and rear;
you disappear,
and I feed the empty handcuffs
to the mirror. 

Not there
though we breathed the same air
in that old house, old slum
old country, year,
but finally

only here.


June 2011




Posted for  Friday Flash 55  at the G-Man's






Image: Fairy Tale Ghost, by Jeroen Kransen on flick'r
Jeroen Kransen's photostream
Shared under a Creative Commons 2.0 Generic License