Wednesday, February 8, 2012

Repost~Spring and the Fool




Spring and The Fool

Spring loves a fool,
throwing her sticky caltrop
 blossoms under his dancing toes,
laughing with him as the cold white
blood of January turns blue,
brims the river
and slides his fool’s shack
off the bank.

Spring cares for a fool,
washing his winter soiled
questions of living, tumbling them
in her dryer to be folded away
neat as a fallen leaf sorted back
into earth,

sucking him up her pressure hose
for a lark, blowing him out the nozzle
or percolating him down from his cloud
as he juggles hail in the wild storm,
morning coffee for the
first grasshoppers.

Even this spring
hot as any summer
where the flatbread plains crisp
under her sudden yellow eye; where running
before the distant blur of the moon the south wind
exhales with the used heat
of dragon breath.

Spring loves a fool
as the fool loves the dance.
 Blistered feet soon summerheal,
distrained harvests soon reseed.
Thrice denied before dawn,
the sun’s judas kiss burning
on his cheek, still he sheds his skin
and dons his pointy hat
one more time.



June 2011
I'm reposting this for Kerry's Wednesday Challenge at real toads, which is to explore the idea of Magical Realism, making connection with things through their unseen and mysterious attributes.  Thanks, Kerry, for letting me dig this one out of the cellars of Castle Hedgewitch.






Tuesday, February 7, 2012

Running by Winterlight

Running by Winterlight



Midnight called me up from my rifled bed
where I’d searched in vain for sleep’s last hiding place.
I went out to look at the fraying brindled clouds
taped to the far ice moon, and the Hunter's sword
once Freya’s distaff weaving the ravelled world.

And I knew beyond my doubt your soul ran free
parkoured from star to star canopied above me.

I saw the aching dumbshow of what’s past, 
a flickering stereopticon of days 
each one still a sharpness of blinding glass
stuck in time’s deep gut the bleeding pass of 
a dance above oblivion’s shifting cracks.

Light of my heart, you make a fine traceur;
one slip's enough to kill, yet you endure. 

Clouds cry ice, sweep in the shaking void
with its black mouth wide, its bone white lich’s grin.
I’ve made myself so small, so fine a dust
that plaited baleen will never seine me out,
just lose me where the cell-shed seeds sprout green. 

What's lost flies out and floats on seven winds.
What’s left puts down its root to live again.






February 2012



Posted for   OpenLinkNight   at dVerse Poets Pub
Brian Miller is our host tonight. Come join us at the Pub for a night of poetry sharing lasting through Wednesday at midnight.


Process notes: Parkour...is a training method which focuses on rational movement [where] the focus is to move around obstacles with speed and efficiency...to move through the..environment by vaulting, rolling, running, climbing and jumping. Parkour practitioners are known as traceurs.~wikipedia
The last lines of the first stanza refer to the constellation of Orion, a Hunter in Greek mythology whose belt of three stars holds the Orion nebula, representing the point of Orion's sword, and in Norse mythology, the distaff (a spinning tool) of Freya, goddess of love, beauty, fertility, war and death.


Optional Musical Accompaniment





Monday, February 6, 2012

The Wall




The Wall



Behind the green mountains
is a green towered wall
around the green center
of a thousand sprouting dreams

sown in an unseason of
crepitant hollows, dry
depredation, where
sleep is
defenestrated
and shattered below

in shards that grow
a yeast of redolent fantasies
piercing their way out
each with a flower

of bright loss nodding swaying
releasing dancing airsprites to
put Dorothy to sleep
in an opium dream

till twilight’s brighter wife
glares down and scorches
the slime from the stars

and the wall
jumps on its own back 
leaping
taller and taller, 
greener than green.



February 2012




 Posted for    real toads





Image: Photo by Richard Schear, provided by the Imaginary Garden with Real Toads

Saturday, February 4, 2012

Valhalla of Trees

Horse Chestnut Leaf


Valhalla of Trees



The first gift the tree gives is grace, definition of air
waving branch to twig as the wind stirs the great pot,
taking the sky in its arms and showing 
the invisible so all is bound together.

Then next green sheets that roof the homeless wing,
bed and breakfast scattershot crawling gypsies,
or smolder orange bronze in the cider of seasons’ change
sweet scarlet and sharp, distilling light's last sugar
before winter’s white hands bring the enemy sky.

The last thing the tree has to give is its lifesmell,
savor of soil stretched from soft earth to limbered wood,
colors planed to flat scented on the lathe, or split rough
and fired in the hearth, exhaling ringed incense of trapped time,
flames flying the way long streaming gold hair
might fly up from a burning valkyrie.



February 2012



Posted for   Poetics   at dVerse Poets Pub
Mark Kerstetter is our host today at the pub and he's set us the challenge of seeing objects a bit differently, attempting to give them their own voice, as inspired by the writing of Francis Ponge.




Image: Horse chestnut Leaf, by Petteri Sulonen, on flick'r
Thanks, Petteri.

Friday, February 3, 2012

Copyright Infringement

I have just found one of my poems posted to a blog called Bluebell Books without my permission. I also found the names of several other poets there whose work I believe may have been used without permission. These poems are drawn from G-Man's Flash 55 entries. I have logged a protest at the site and a request to remove the poem. We'll see if that is enough, and the blog owner will comply. For others interested, I am willing to share my poetry but I must approve your use of it in writing, so please email me at my profile link should you ever desire to do so. Bluebell Books is in violation of US copyright laws, particularly as they intend to publish a book of these poems.That will leave them open to criminal prosecution.  I strongly advise people to be leery of this site.

UPDATE: As of 11:14 am February 3, the poem and my comment protesting infringement have both been pulled. I have still received no personal communication from this site, neither of apology or an original request to publish my work, despite my email being on public record. I would like to restate that I will report any copyright infringement from this site  or its sister sites in future to blogger, and hope this never happens again. Thanks,everyone, for your support.



Incubus IV


Incubus IV

It’s perplexing 
that the incubus is still
after all these nights
a mystery to me, with his
rippling heat, his sudden chills
and I to him 
the last unknown.
Tonight he’s here to play his games,
oh the same games so sweet and heavy
with desire I can barely carry them
to the last decimal.
I don’t choose to resist; resistance
only teases. Besides,
he keeps me too busy to care, while he
recites beneath my breath the half-made spell
he's come to fetch my blood to cook.
I know he wants to
catch me in a foolishness
even greater than the one that calls him here
but I am sly, slyer than I was
before he seared that first split hoofprint on my breast,
before we danced tail to tail under the cracked moon
before he claimed on smoky contractual clauses
with just a trace of suphur-tinged regret.

No, he won’t catch me
till he turns his back and finds
I’m wound where he had no idea
I could bind.



February 2012


Posted for   Fireblossom Friday  at Real Toads
The inimitable Fireblossom hosts today at the Imaginary Garden with Real Toads, and her theme is temptation, or perhaps confession, or both. I'm obviously too perplexed to tell.


This is a companion piece to Incubus, Incubus II, and Incubus III


Thursday, February 2, 2012

The Art of Smothering

Eyjafjallajökull ash plume


 The Art of Smothering



I remember when
you arsoned smoky fire
from a touch
on a turning page.

Now you’re
the spark arrestor
heat suppressor
insuring nothing
ignites.

The hazel extinguisher
of your foamwhite eye
drinks Molotov's cocktail dry;
my breath freezes
as it passes you

medusa'd to
ramparts of ice
 protecting, imprisoning
a midnight of ash.

February 2012






55 burning ice cubes for   the G-Man



Image: Eyjafjallajökull ash plume, by Gunnlaugur Þ. Briem on flick'r
Gunnlaugur Þ. Briem's photostream
Shared under Creative Commons 2.0 Non-Commercial License

Candlemas Sestina~Revisited for Imbolc, 2012





The Hedgerider's Lament
Part II: Candlemas Sestina

Winter rides the leafless hedgerow, black and aching for the thaw
a frozen masque of mummers misbegotten by the hag.
A dying moth in winter’s web, I’m null, unwarmed by fire.
I call to the guardian of the living earth to forsake her vestal  well
to bring her yellow days and put an end to the strangling white;
instead of snow make milk for lambs and wake the sleeping sun.

I pulled the blackthorn's sloes and brewed the gin of autumn’s  sun,
drank deep, then burned the sticks to keep alive until the thaw.
The Cailleach’s staff struck and brought the tedious vault of white   
where water was married to restless air in the couplings of the hag.
There are bruises for the hand that cracks the ice-crust on the well
and earth’s white cloak hisses on the coals of the worldsmith’s fire.

Once amber green my fingers tore the world-skin, meeting fire;
finding only the haunt of a look, a tendriled scent that fled the sun.
No living hand can draw your twisting wisp from that black well.
Only wishes' mist can pass between, and dust awaits the thaw
I hunker by a murdered fire and bandy curses with the hag,
who laughs and shrouds my hedgerow tight in her bands of white.

Yet there’s Another coming when the blackthorn flushes white
and the wind will thrash the greening twigs as all is cleansed in fire.
The spring will dance her mayday on the apron of the hag,
and unwind the days and bring her bag of blue that holds the sun.
The Cailleach will freeze, a standing stone before the thaw,
while her snow becomes white water rushing azure to the well.

So day’s full light expands and ice is melted from the well.
Tomorrow’s gin is brewing in the blackthorn’s buds of white.
Grass-green grow the seedlings as the hedgerow starts to thaw
and winter stubble burns but I’m still cold beside the fire.
The blood-burned breach still shows itself a curse beneath the sun.
The silvery white bride’s smile still flirts with the eyes of the hag.

But a bride might need a midwife someday, hidden in a hag
and a hag might be more than a  weight  best cast into the well.
The carcass of  dead caresses burns to ashes in the sun
and births a skin of amber green that swallows up the white.
Summer gives her pledge of life and bids me tend her fire,
and all her seed and kindred in the razor leaved hedgerow’s thaw.

Perhaps this year the sun will shine so clear and burning white
that the hag will laugh to see me in the mirror of the well
and I’ll forget the thing that’s broken as the world  begins to thaw.

January 2011

This poem is part of my quartet of sestinas on the four seasonal pagan festivals. I wrote it around this time last year. My friend, bard errant and student of the mythic, Brendan MacOdrum over at Oran's Well, is in an Imbolc kind of mood, and after sharing his own scholarly take on the occasion, asked for a reprise of this sestina today on the date it is usually celebrated, February 2nd. As always, happy to oblige, and even happier since typing is still a bit painful.

You can find all four sestinas dealing with the pagan festivals here. 


For pronunciation of the word Cailleach, click here


Originally posted for OneShotWednesday at the inimitable OneStopPoetry


Image: Cailleach  by RedDragon102857
Used under terms of Photobucket license