Friday, March 2, 2012

Viking

A Viking Foray


Viking


When we go a-Viking
we leave the women back.
The sword becomes our lover
the wind our home and bed.

The sea becomes our roadway
that tosses men to Hel.
The sword becomes our lover;
all the Danelaw knows it well.

When we go a-Viking
the axe comes out to bite.
Bright blood runs wherever we come
to make the old gods’ fight.

Raven brothers, iron and flame,
wrapped in wolf's head grin,
we bring this night the red flesh feast
to feathered and four foot kin.
 

The blade is our sweetest lover, 
pitch torch our warming sun;
the liar has a thousand words
but the fire only one.


January 2012


Fireblossom hosts her Friday poetry event at real toads today, asking us this time to write of a man(or woman) in uniform. The uniform shown in the picture above and associated with the Vikings of horned or winged helmet and animal skins is historically inaccurate and a product of 19th and 20th century romanticizing, often for political ends. Vikings most likely wore a  conical helmet with nose guard, either of wood or iron, with chain mail or leather armor, depending on affluence and position. Either way, it's a uniform I find most attractive.



Image: Viking Foray, illustration from Myths of the Norsemen from the Eddas and Sagas, Guerber, H. A. (Hélène Adeline) (1909). drawn by John Charles Dollman [Public domain] via wikimedia commons

Tuesday, February 28, 2012

Fall Of Night

relic

Fall Of Night

And Darkness and Decay and the Red Death held illimitable dominion over all. 
~Edgar Allan Poe, Masque of the Red Death



Open the last door
of the windowless room
to find the darkness.

Slender thrust of moonsword
through matted velvet musk
you are hollow as all the other

castings of Ouroboros
a black beam of my own sending,
shot scarlet with motes of self overlooked

by fevering dreams, the tart taste of
amanita on the tongue, red dotted white,
I put inside your gaping mouth.

The night knows as it closes
I am not a source of light
but the lens sent to break it.

Still you are so deathly
beautiful, cerise smile in the shiftspin
of the prism's red masque

throwing back mirror bright
all the carmine dazzle of darkness,
that I can’t look away from

the bloodshine in your eye; it
spills through the heart locked
heavy round my neck

drips in a tankard
skull white, ice cold
raised to the worms of your lips.

Look—you lift your arm--
you seem to call me
deeper into the ruins

just 
before the light
goes out.


Masqueofthereddeath-Clarke

February 2012



Posted for   Open Link Night   at dVerse Poets Pub 

I'm ghosting tonight at the pub, where the party will be free of darkness decay and malign influences, and only poetry will have dominion over all. 
Come join us. 
Link in will be live from 3:00pm Tuesday to Midnight Wednesday, EST.






Header Image: Relic, posted by practicalowl  on flickr
Shared under a Creative Commons 2.0 Generic License
Footer Image: Illustration from Masque of the Red Death, 1919, by Harry Clarke [Public domain], via wikimedia commons


Monday, February 27, 2012

Off the Shelf Archive~February

Barely making it before the end of the month, the Archivist frantically bestirs herself to change out last month's Seamus Heaney selection for something to give us a breath of madness and spring, from Lorca.

I never get a lot of readers or response to this feature, but I do get a lot of personal satisfaction from it, so I'm going to continue it, but without the tedious commentary on my part. From now on it will just be poems. In that spirit,  you will find Ghazel of Unforeseen Love, by Spanish surrealist poet Federico Garcia Lorca in the March


and below is last month's Punishment, by Seamus Heaney, read by the author. As always, feel free to comment on either poem here, as comments are disabled off the main page.

Punishment
~by Seamus Heaney





Here is the text:

Punishment
by Seamus Heaney (1939-)

I can feel the tug
of the halter at the nape
of her neck, the wind
on her naked front.

It blows her nipples
to amber beads,
it shakes the frail rigging
of her ribs.

I can see her drowned
body in the bog,
the weighing stone,
the floating rods and boughs.

Under which at first
she was a barked sapling
that is dug up
oak-bone, brain-firkin:

her shaved head
like a stubble of black corn,
her blindfold a soiled bandage,
her noose a ring

to store
the memories of love.
Little adultress,
before they punished you

you were flaxen-haired,
undernourished, and your
tar-black face was beautiful.
My poor scapegoat,

I almost love you
but would have cast, I know,
the stones of silence.
I am the artful voyeur

of your brain's exposed
and darkened combs,
your muscles' webbing
and all your numbered bones:

I who have stood dumb
when your betraying sisters,
cauled in tar,
wept by the railings,

who would connive
in civilized outrage
yet understand the exact
and tribal, intimate revenge.



Sunday, February 26, 2012

Mirage

Mirage



Can I trace it, that spider footed midnight kiss
that once walked its lips across my crying skin?

Is it hung head down in the cobweb spun across my
crumpled cheek; waiting still? starved rigid?

But no, it ran; I see its mark, staggering spider steps
through dry sand floating on the dust of desert years

at home in emptiness, a secret life uncurled after the
scirocco passes, charming away dead flesh from bone

not even a smell to hang in the drying frame of air.
Any little busy thing consuming convenient corpses

to white skull’s stare knows each precious drop preserves
savor and sweat for a  hankering life spent waiting

for the next foolish thing to drop, hamstrung by thirst
lost beyond finding, hallucinating deliverance

blinded by a lunatic sun that tilts the web's sweet spin
to catch an oasis kiss and in mirage to live again.



February 2012


Posted for  real toads

Sunday Challenge
featuring Ellen Wilson



Top Image: Web, by Ellen Wilson
Footer image: Blossom, by Ellen Wilson
of Ella's Edge, Used with permission. 

Saturday, February 25, 2012

Feather From An Empty Hat

GuineaFeather

Feather From An Empty Hat



In the whirlwind
leaves in tumult turn
seasons change, chiseled from
an empty hat
hooping along the curb,
flown to drown in the sleety river
by snow’s hardliquor breath
huffing in staggers through the
winter grass cut before the storm
where dry brown leaves nest
a broken feather pulled
by djinns of the stuttering south,
homeless in the field.

The poem I wrote in my sleep
was huge
it moved the earth
it changed the world
it was a rock mountain
out of which I carved
clanging truth in heads of jackals,
ravens and goddesses
and wrote their conversations
verbatim etched in a brazen font
upon the golem’s brow
yet when I woke
in the blue crystal light

there were no words
on my pillow, only one
spent feather, ragged
from the cold.




February 2012 


Posted for   Poetics   at dVerse Poets Pub




Image: Guinea fowl feather 
By User:Ben_pcc (Some bird.) [Public domain], via Wikimedia Commons

Thursday, February 23, 2012

Leaves of Absence

Pressed Leaves




Leaves of Absence


One comes
while another leaves.
One afternoon 
becomes
 a month of falling leaves.

The long job
of loving needs
a leave of falling months,
leave to go
 re-leaved,
tho leaving is grieving
gone is better so;

to leave
Love's little fat god
smirking,
 pleased to
take each sacrifice
and close his till,
scattering
dead leaves.



February 2012



55 falling leaves for    the G-Man







Thanks, Petteri.

As well as sharing his photographic talents on flick'r, Petteri blogs eclectically at 
 Come to think of it,  an always interesting read.

Wednesday, February 22, 2012

Another Poem Written at Morning

Diane et Endymion 1630 Detroit Institute of Art

Another Poem Written at Morning
for Wallace Stevens


We always were
as different as two things can possibly be
as far apart as a white bear on an ice floe
from a neon flamingo preening on one leg
or a thinking mouse in a live trap
from the distant hawk that stoops.

We always were
as close as two feathers nesting in
coralpink scales on that same flamingo, 
as mouse and thought, 
as the freeze of boreal ice
to the bear's shaman paw.

When all there was to read 
was ratscratch and pigeon droppings,
you'd already written for me
the encyclopedia of myself;
Go on through the darkness, you said
The waves fly back.

When my only drawing was child's
chalkdust, fumbling baroque intricacy into
crude streaks, you painted my adjectives in oils
with the extravagant precision of a Poussin,
carved from cloud within the sister, mother and
diviner lover, out of our own imperfections wrought.

Ever you were truer to me than any breathing man.
Even now in the room where the interior paramour 
lights the highest candle, begins the twilight music, 
I bend in the dance with your businessman's stone 
in its calico gypsy shirt and cobweb shoes,
still try to read your book of granite mossed

with shadows, sudden lightning burst over 
inkblack seas pounding meaning
in constant making and unmaking, 
whispers calling, fill the four corners of night
flutter your empty sleeves, 
it's the spirit that we seek,
 
ask often. No matter if answering is all reflection,
dimmer, poorer through prosthetic eyes;
let them shine and serve, let the wench's tongue wag,
if only in echoes softer than tumbled shells suspiring 
on a ghost beach, because you gave not killing order
but the idea of order 

that grew the garden that saved me
from the domination of black, sent
dreams of baboons and periwinkles,
put peacocks in the
heavy darkness of hemlock,
rejoiced in green curls.



February 2012

Reposted for Meeting the Bar: Literary Allusion   at dVerse Poets Pub
Victoria is hosting today and this poem seemed to fit her challenge to write an answer to another poem, as well as cite a literary influence.


 
 
Poem Written At Morning
  
by Wallace Stevens

A sunny day's complete Poussiniana
Divide it from itself. It is this or that
And it is not.
By metaphor you paint
A thing. Thus, the pineapple was a leather fruit,
A fruit for pewter, thorned and palmed and blue,
To be served by men of ice.
The senses paint
By metaphor. The juice was fragranter
Than wettest cinnamon. It was cribled pears
Dripping a morning sap.
The truth must be
That you do not see, you experience, you feel,
That the buxom eye brings merely its element
To the total thing, a shapeless giant forced
Upward.
Green were the curls upon that head.


Italicized words are quotations or titles from Stevens' poems.


this was originally posted for   real toads
where Kenia's challenge was to dialogue with a poem or poet.



Image: Diana and Endymion,  by Nicolas Poussin [Public domain], via wikimedia commons


Tuesday, February 21, 2012

Sanctuary






Sanctuary

It was the time of cold.
The water from the sky ran black as inky blood
and the tree in the dark storm was ripe for burning,
solitary acolyte in a serpentine ceremony of snow.

You kissed my summer dry palms
just before you ran to your winter white pack
far off along the indigo rim of night.
I heard the howling begin

without me. I pulled in the last syllable of stone,
stripping myself to bare words. A single step danced me 
from maenad to anchoress, peering through the squint
at your unconsecrated communion.



January 2011


Posted for   OpenLinkNight   at dVerse Poets Pub




Having nothing ready for tonight, though a huge snarl of cantankerous works in progress, thought I would post an older poem that had limited exposure. This was originally submitted for a prompt (at the now defunct Big Tent Poetry) to utilize alliteration by choosing a letter, writing a word list, and using the ideas it generated for subject with a word from it for the title. Apologies to those who have already seen this.

Photo: © Copyright Colin Smith and licensed for reuse under  Creative Commons License.
Cell of the anchoress Christine Carpenter, 14th Century. Shere, Surrey, UK