Showing posts with label old nun. Show all posts
Showing posts with label old nun. Show all posts

Thursday, January 9, 2020

Birthday Moonsong







Birthday Moonsong




Born  in the wolf moon,
at century's half-crack,
before the moving shadow box
before the singing pocket, the talking hand--
disjecta  membra of a war and peace,
nuclear snowflake crystaled in the cold aftermath,
fallout caught and whirled up
by black arms of concrete
into the sweet dance of chemical fog;

all around me
blackbirds falling
from the sky like almanacs
pages open to the gift of silent prophecy
and in the mirror, a white raven
solitary,
a meal, a target, a danger
to the flock, burning the eye like
a scarlet poppy
on a gravemound, or
a working girl unbuttoned
hungover 
in the convent.

* * *

In the house
at the edge of the world,
with the wolf moon low in the west,
its yellow eye on the scattering stars,
its tongue longing
for the fat white hams of Venus,
the north wind sleets the window glass
bitter green, rattling the taste
of old snow and bad design; the wolf moon

the hunger moon,
stops to lap
pooled pink from blood-red Mars,
swells its belly 
with faltering stars, the small and weak
gnawing them out one by one as I hum

dusting the ape statuettes, the
draped clocks, perplexed still
that the empty chair
stays empty another winter,
while the fire throws white shadows,
while ghosts fall with the snow.



~January 2015





A repost for my birthday.



Images:Wolf Dog, 1976 © Jamie Wyrth  Fair Use
The Snow Queen Flies Through The Winter Night, by Edmund Dulac  Fair Use

Monday, January 5, 2015

Birthday Moonsong


Birthday Moonsong





Born  in the wolf moon,
at century's half-crack,
before the moving shadow box
before the singing pocket, the talking hand--
disjecta  membra of a war and peace,
nuclear snowflake crystaled in the cold aftermath,
fallout caught and whirled up
by black arms of concrete
into the sweet dance of chemical fog;

all around me
blackbirds falling
from the sky like almanacs
pages open to the gift of silent prophecy
and in the mirror, a white raven
solitary,
a meal, a target, a danger
to the flock, burning the eye like
a scarlet poppy
on a gravemound, or
a working girl unbuttoned
waking up hungover 
in the convent.

* * *

In the house
at the edge of the world,
with the wolf moon low in the west,
its yellow eye on the scattering stars,
its tongue longing
for the fat white hams of Venus,
the north wind sleets the window glass
bitter green, rattling the taste
of old snow and bad design; the wolf moon

the hunger moon,
stops to lap
pooled pink from blood-red Mars,
swells its belly 
with faltering stars, the small and weak
gnawing them out one by one as I hum

dusting the ape statuettes, the
flat smiles, perplexed still
that the empty chair
stays empty another winter, that
the bed made every morning
is unmade for one more night,


while the fire throws white shadows
where ghosts can fall like snow.



~January 2015





posted for    real toads
Tuesday Open Link


Optional Musical Accompaniment










Process Notes: The term "Wolf Moon' is an adaptation by Colonial settlers from the name for January in the Algonquin tongue. White ravens carry a genetic mutation which prevents melatonin from accruing in their feathers. They are rare, and other ravens generally shun them.





Images:
Snowstorm, by Maurice de Vlaminck
May be protected by copyright. Fair use   via wikiart.org
The Snow Queen FliesThrough The Winter Night, by Edmund Dulac
May be protected by copyright. Fair use   via wikiart.org



Sunday, December 2, 2012

Never You









Never You


A glassfull of repent
a metamorphed eloquent shoe
shirt flannel-and-books' humus scent
but never you
never you, back to take me as I'm meant.

No anise seed kiss bent
by morning's honeysuckle light
from you, my closed room, my lament,
no welcome night,
drinking maté, taking blood sacrament,

corrupting the convent.
A ghost braiding our hands,the blue
notes of your lion taming breaths
but never you,
come back to dance a minuet with death.

~December 2012







Posted for    real toads
Sunday Mini-Challenge
Kerry has us working with a stanza form taken from Pre-Raphealite poet and painter Dante Gabriel Rossetti's work




 maté: ...a tealike South American beverage made from the dried leaves of an evergreen tree...~dictionary.com




I am not entirely happy with this effort, but am posting it for the prompt, primarily as one of those examples of compressing free verse to form, and how a poem changes and shifts in your hands. Here is the free verse original:

Never

An empty cup
one eloquent shoe
scent of flannel and books
but never you
again, no anise seed kiss
in  honeysuckle light
never you, my closed room,
drinking maté at night
pulling me up on a darkling look
to walk hollow dusk
wordless as wind
closer than breath
the braids of our hands
your lion tamer's voice
calling out the stations
of a backwoods cross,
your snake-handler's grace
in the bittersweet hymn
you gave me to dance, piped through
the panflute you made of my ribs,
never again
this side of the oven
where the bright fire
may or may not
burn as hot
as these embers
remembered of never
never again
you.

~November 2012



Image: Tristan and Isolde Drinking the Love Potion, by Dante Gabriel Rossetti, 1867
Public Domain via wikipaintings.org

Friday, August 17, 2012

Song and Dance




Song and Dance
The Monk's Tail (Chasing) a huitain


The milk and water monk got saved so strong,         
red rosary clutched to repent each sin,       
he scourged his back for his stained glass god's song
yet ev'ry howled word he sang high and thin                      
exalted the idol he'd raised within,
his mouth in the mirror a round black hole     
through which each paean of praise would begin
in pure worship of his own handsome soul.


The old nun who had no religion rose,
leaping high to a midnight jumprope chant
held to the earth by the skin of her toes,
she turned in the sway of that sweet descant 
heard by the innocent and aberrant
who drink the water and taste summer wine
who love and endure till the last star shows
for a heart of earth and a dance divine.

~August 2012




 



 Posted for   FormForAll   at dVerse Poets Pub


I first learned of the huitain adaptation of the ballade stanza from Kerry O'Connor at Imaginary Gardens with Real Toads, so I dedicate this one to her and that excellent site designed to challenge writers to write in all kinds of ways. Gemma Wiseman hosts this prompt at dVerse Poets, and the form is great fun to revisit.











Both paintings public domain, via Wikipaintings.org

Sunday, July 15, 2012

Iseult's Song

 Iseult's Song
A Huitain



How used I am to all this weeping
this solitude, this douce tristesse.
How softly emptiness comes creeping
to meet its new petite maîtresse,          
who cries the more and laughs the less
under god's silent black stardome;
where once were the towers of Lyonesse
now only fishes make their home.


~July 2012 





 Process Notes: "Lyonesse is a country in Arthurian legend, particularly in the story of Tristan and Iseult. Said to border Cornwall, it is most notable as the home of the hero Tristan, whose father was king. In later traditions Lyonesse is said to have sunk beneath the waves some time after the Tristan stories take place, making it similar to Ys and other lost lands in medieval Celtic tales..."
~wikipedia




 Posted for   real toads
Kerry's Sunday Mini-Challenge: The Huitain
Kerry explains this old French form in detail at the link above.



also posted for   Poetics   at dVerse Poets Pub
 Karin Gustafson hosts and asks us to get our French on in honor of Bastille Day. I went a bit further back.


Note: I'm under the weather a bit this weekend and so there may be a delay in returning visits.








Image: Tristan and Isolde, by Salvidor Dali, 1944
All copyright remains with the owners



Tuesday, February 21, 2012

Sanctuary






Sanctuary

It was the time of cold.
The water from the sky ran black as inky blood
and the tree in the dark storm was ripe for burning,
solitary acolyte in a serpentine ceremony of snow.

You kissed my summer dry palms
just before you ran to your winter white pack
far off along the indigo rim of night.
I heard the howling begin

without me. I pulled in the last syllable of stone,
stripping myself to bare words. A single step danced me 
from maenad to anchoress, peering through the squint
at your unconsecrated communion.



January 2011


Posted for   OpenLinkNight   at dVerse Poets Pub




Having nothing ready for tonight, though a huge snarl of cantankerous works in progress, thought I would post an older poem that had limited exposure. This was originally submitted for a prompt (at the now defunct Big Tent Poetry) to utilize alliteration by choosing a letter, writing a word list, and using the ideas it generated for subject with a word from it for the title. Apologies to those who have already seen this.

Photo: © Copyright Colin Smith and licensed for reuse under  Creative Commons License.
Cell of the anchoress Christine Carpenter, 14th Century. Shere, Surrey, UK

Monday, December 5, 2011

Our Rose

Figured it was about time for some comic relief at Castle Hedgewitch.

NOTE: Images of Mary Millar removed due to constant search engine activity. Sorry if they were used inappropriately.

Our Rose


Our Rose
painted snowflake
waits in vain
for a telephone call
from Mr. Pratt or Mr. Blackstone
or someone named Nigel

whom she met last night at the pub,
to whom she gave her trainwreck self
in wild abandon in the back of a Vauxhall
after lights out.

Our Rose
aging elfgirl
has two married sisters;
one lives in a social tilt awhirl
off its tracks in her own brain,
the other in a series of chocolate boxes
and bodice rippers next to 
a sardonic bone idle man
amused by a broken TV.

Our Rose
fading pubsprite
in a rational moment
gives up men
swine that they are
and weighs her choices:
Back to virginity
or get her to a nunnery.
She has another fag 
and considers
the Vicar.

Oh, Rose, our Rose
you’re already a woman of the cloth
black lace and miniskirt though it be;
already a  bride of the lord,
just not of this
particular pale
and mingy one.

December 2011


 Mary Millar (1936-1998) 
played Rose, in the BBC sitcom Keeping Up Appearances






To see Rose in full form, view her in these video clips*:

Rose holds forth on the topic of men as swine, 
starting at 1:58 in, till about 3:07





Rose decides to be a nun, and takes a pill for it; 4:56-finish:







"..there's only the dog paying any attention..." 

Note: The dog in this video is NOT my Schnuskie, Chinook, though the resemblance is striking.



*This poem will probably make a lot more sense, and also be a lot funnier, to those who take a minute or two to watch the designated parts of the videos .Apologies for not being able to get just the clips of Rose--Hyacinth is rather a turnoff. 



posted at  real toads