Sunday, March 10, 2013

Closed



Abandoned house




Closed

Wipe the acid from the eye
nail the boards up tight and high;
too many cracks let in the knife
too many knives let out the life.
Just leave a space for a little air.
This place is closed down for repair
till further notice







I will be offline till further notice due to personal circumstances. Thanks to all for your reading and support.To those who have expressed concern about my health, thank you and sorry to worry you--I am fine physically, just going through a difficult period. I will return if and when I can.






Thursday, March 7, 2013

Cactus Flower



Sun




Cactus Flower




Under that barnacle eye,
dawn and sunset are one light
in the union shop of the sky.
Sand is hazed into growing
blazing flowers, dusty fruit;
bright lame colors hopping
on a desiccated foot,
steamed cloud-melt to water
needle thorn and starry bloom;
but sand's a giver of glass
the sun's tribe breaks too soon.


~March 2013


Infused with the glow of the sun



55 grains of sand for   the g-man


posted for    real toads
Challenge: Out of Standard with Izy
(Chew Through Your Chains)
The incomparable and tortuously-minded Isadora Gruye asks us to envision the worst job we ever had, list three words that we associate with it, and write a poem that is nothing about work. (!!!)
 My three words were : union shop, hazing, and tribes.






Hover mouse for image attribution, or click on pic to go to photographer's flick'r creative commons page.




Tuesday, March 5, 2013

Odin's Day Night

2005_1011night0047



Odin’s day Night

I wrap a poor turn 
of grizzled hope
around the moon
so frayed
I wrap it in the too 
opulent velvet 
of a voice
so dark
singing the
old

sagas of inamoratas
journeys' endings
rhymes of baldur's fall
monks' canted fragments
figments of
gods and demons
queens and fools
past and future
love and death.

The night sky is freckled
with perseid’s white splash,
droplets of star burning
strained through the alembic
of a staring nullity
defining my preterition,
sizzling like the rasp
of some old god’s laugh
rough from a silence
passing paleology.

How their light runs
fleet suns of Perseus
skittering across
night’s spread table
a howl on the ripped nail
of moon splintering

on Odin’s day
night as remote
as the face behind 
a blue electric vow, 
close as
the corvine quark
tumbling sable japes.

That laughter in the air, 
yelling from the beaks of crows   
falls high above 

beyond the circling light;
how the void must ring with it
time out of mind
IN PERPETUUM.



~August 2011








This poem will be included in Gemini/Scorpio/Capricorn, the upcoming poetry collection from ALL CAPS PUBLISHING, which will also feature large delicious slabs of poetry from the inimitable Fireblossom and the always amazing 
Mama Zen
 
Thanks, Shay, for dragging me kicking and screaming into your book, 
and thanks to Marian Kent for helping us make it possible.




If you'd like to hear the poem read by the author, please click below:
Odin's Day Night by Hedgewitch O'theWilds



posted for   dVerse Poets open link night


Image: 2005_1011night047, by peadar on flick'r
Shared under a creative commons license

Sunday, March 3, 2013

Quince X 2



Quince




Quince 
(free verse )



Stark tangle of december
black and bare, sharp and brittle,
hook twigs a shakespearean drama of thorns
spotlighting from darkness the posturing coral bud.

Life in death, wildfired and torched
over every branch, its ending
smoothed by something born
swelling in promise:

a Paris green blast of
bitter juice.





Quince
(shorter, as a shadorma)

Earth's burlesque,
december's bare black
theatre,
masque of thorns 
flaring color from darkness;
posed bud, bitter juice.




~March 2013



Quince



posted for  dVerse Poets
Poetics: Short Verse
Fred Rutherford's challenge is to tell a complete story, and to 'maximize effectiveness' through brevity. I wrote the first version of this free verse, then decided to see if I could shorten it by using a favorite form of mine known as the shadorma--a six line poem with the syllable count of 3-5-3-3-7-5. I'm not sure which version is more effective as they turned out rather differently. Thanks for the challenge, Fred.


Process notes: Paris green: " is an inorganic compound more precisely known as copper acetoarsenite. It is a highly toxic emerald-green crystalline powder that has been used as a rodenticide and insecticide, and also as a pigment, despite its toxicity..."~wikipedia  

Quince, on the other hand,  are completely edible and non-toxic, but extremely bitter.

Definitions of burlesque and masque.



Hover mouse for image credits, or click on picture to go to photographer's page @ flick'r  creative commons.

Friday, March 1, 2013

Off the Shelf Archive: March 2013

The archivist is on top of things for a change, and ready to switch out poems with alacrity. During this past month, I read some escapist literature, a mystery novel by Deborah Crombie called Dreaming of the Bones. The subject was the suicide of a woman poet of the Sixties, which turned out to actually be murder. No surprise there, plot-wise, but the poet character was obsessed with the life and poetry of WWI era poet Rupert Brooke. Each chapter heading had a quote from one of his poems, and thus I read more Rupert Brooke last month than I'd done in twenty years.

I was a bit surprised at how good he was, despite being obviously very young--and how good he might have become if he'd lived longer and lost some of the melodrama of youthful exuberance. Anyway, here is a bio page of his short but eventful life at Poets.org, for those interested.

The selection I've chosen for this month, by Rupert Brooke of course, is 

Sonnet: I said splendidly I loved you; it's not true.

You'll find it here, on the Off the Shelf page, which now allows comments.


~*~

And here for final perusal before hitting the archives is last month's verse, Calypso's Island, by Archibald MacLeish:






Calypso's Island
by Archibald MacLeish
I know very well, goddess, she is not beautiful
As you are: could not be. She is a woman,
Mortal, subject to the chances: duty of
Childbed, sorrow that changes cheeks, the tomb--
For unlike you she will grow gray, grow older,
Gray and older, sleep in that small room.
She is not beautiful as you, O golden!
You are immortal and will never change
And can make me immortal also, fold
Your garment round me, make me whole and strange
As those who live forever, not the while
That we live, keep me from those dogging dangers--
Ships and the wars--in this green, far-off island,
Silent of all but sea's eternal sound
Or sea-pine's when the lull of surf is silent.
Goddess, I know how excellent this ground,
What charmed contentment of the removed heart
The bees make in the lavender where pounding
Surf sounds far off and the bird that darts
Darts through its own eternity of light,
Motionless in motion, and the startled
Hare is startled into stone, the fly
Forever golden in the flickering glance
Of leafy sunlight that still holds it. I
Know you, goddess, and your caves that answer
Ocean's confused voices with a voice:
Your poplars where the storms are turned to dances;
Arms where the heart is turned. You give the choice
To hold forever what forever passes,
To hide from what will pass, forever. Moist,
Moist are your well-stones, goddess, cool your grasses!
And she--she is a woman with that fault
Of change that will be death in her at last!
Nevertheless I long for the cold, salt,
Restless, contending sea and for the island
Where the grass dies and the seasons alter:
Where that one wears the sunlight for a while.

Image: Island of Treasures, by Rene Magrite, 1942
All copyright belongs to the copyright holders.