The Last Peony
The cold crawled in and flowers fell.
No charm of mine could bring them back, no
hex on the wind would keep it warm.
The withering came, creeping up my neck and so
I stirred the dark and began to make;
the face of a moon child, round, unmarked,
to wear, first try and somewhat
skewed, one eye too old, but
no one sees a child, you know,
except to swallow its light.
Then feathers and furs, white and blue,
a yellow brooch of badger
skull,
a peony from a peacock's eye, twined real
with dry heart's blood; but still
alone, I stirred and made again.
From cat's fingerbones and casts of worms
three pearl alpacas, from the spilled wheat
my snake-spine pig, from snailshell opalescent
my solemn pachyderm--six weeks I spent
knotting howdah-fringe with quicksilver.
I the maypole round which they danced,
they my partners on their living strings,
each strand my soul, each hoof my hand;
held like eggs, I smoothed their ears, intent
upon their amaranthine tale, until the sound
of their gentle deaths
broke my looking glass heart.
The peony cracked and reddened the skull.
I wait now, alone in the dark and child
no more, still til the flowers come again.
~October 2017
Process notes: The image which inspired this poem is called
Witch in Winter, by Sachiyo Aoyama.
Here is the site from which it comes, and the
only bio I could find of this young Japanese artist.
In the language of flowers, the peony signifies good fortune, prosperity, and a happy marriage, and in Victorian times, bashfulness. With a long history as symbols in both Western and Eastern mythology, their bark and roots were also believed to have medicinal properties, including the ability to 'cool the blood,' and ease the pain of childbirth.
Image: Witch in Winter, 2010, © Sachiyo Aoyama All rights reserved. Fair use.