Showing posts with label love in the ruins. Show all posts
Showing posts with label love in the ruins. Show all posts

Wednesday, July 15, 2026

Mask of Aphrodite (Repost)

 

 

 

Wolves, © Andrew Wyeth
 
 
Mask Of Aphrodite
 
"There is no cure for love other than marriage." 
~Irish proverb 
 
 
Love's an old wolf who howls when she pleases,
her black lips drawn back in mock of a grin.
She's made me her meat for chancers and losers,
to open the locks and let anyone in.
 
Her yellow teeth are blunted with winters
but her fevers burn bright as melted brass.
Her eyes are flat-white as Attic marble
rolling behind Aphrodite's mask.

Her promises drift like leaves in October.
Her vows of fidelity make the stones laugh.
There's never been one she ever was true to,
only the lucky who died too fast.

Since I was that child who was used as a woman
since I was that woman who thinks like a child
I've run with her pack. The crows find my dinner,
set the price we pay for being born wild.

I've never whored for playthings or money
but three times three it saved my life.
I've never lied for the sake of loving,
only to play at being a wife.

I never was called to be a drunkard,
but ever I've been every drunkard's best friend;
and I drop the mask when I see it coming,
 
the black-lipped snarling
bitter end.



September 2023
Lightly edited for repostng
July 2026 


 
 
 
Head of Aphrodite, via Brittanica
 
 

 

Tuesday, May 13, 2025

The Sway

 
 
 
 
 


The Sway
(A Love Poem}
 
 
So many years I dripped
your jade-clear love, my absinthe on
a melting sugar dream.
I knew the greenest green
that thrives above the ossuary
sprouting summer flowers made from bone.
Grey birds, their long legs trailing,
flew above the estuary. Water blue as
babies' eyes threw back the light of day
like knives to blind us as we rode upon the Sway.
 
You were born
to sit a wild-eyed horse in panic run
through the rainwater of a subsumed road,
to write the outlines of what never was
across the broken tips of Time's last rhyme,
to pick me like a lily in the dawn
then pass my velvet shadow to the moon,
gone like summer light that winks away
when caught in flagrant congress with the day,
like laughter floating out into the Sway.
 
So rock, sweet night, again tonight
as you have rocked so many times before
across the green expanse of yesterday.
You have a keener eye than bird of prey,
more melody beneath the fallen sun,
more teeth than any soft umbraculum
who tears the coral's painted skin away
and sucks its sweetness from the drying gore.
Rock before I wake and lose the way
just before I follow Love into the Sway.
 
 
 
 
May 2025
 
 
 Blue and Green Music, 1921 - Georgia O'Keeffe
 
 
 
 
 
 
 
 
posted for Word Garden Word List
 
 
 
 
 
 
 
 
Notes: Umbraculum umbraculum, common name the umbrella slug, is a species of large sea snail or limpet, a marine gastropod mollusc ...found in tropical to warm temperate parts of the Indo-Pacific and Atlantic Oceans, where it feeds on sponges...It has roughly 10,000 teeth in its mouth at any one time and will go through approximately 750,000 teeth during its lifetime of up to ten years..."~wikipedia  (I have used my recently renewed poetic license to substitute coral for sponges.)
 
 
 
 
 
 
 
Images: The Green Fairy, artist unknown, via internet     Fair Use
Blue and Green Music, 1921 ©Georgia O'Keeffe        Public Domain
 
 
 
 

Thursday, September 14, 2023

Mask Of Aphrodite

 
 
 

 
 
Mask Of Aphrodite
 
"There is no cure for love other than marriage." 
~Irish proverb 
 
 
Love's an old wolf who howls when she pleases,
her black lips drawn back in mock of a grin.
She's made me her meat for chancers and losers,
to open the locks and let anyone in.
 
Her yellow teeth are blunted with winters
but her fevers burn hot as melted brass.
Her eyes are flat-white as Attic marble
rolling behind Aphrodite's mask.

Her promises drift like leaves in October.
Her vows of fidelity make the stones laugh.
There's never been one she ever was true to
except the ones who died too fast.

Since I was that child who was used as a woman
since I was that woman who thinks like a child
I've run with her pack. The crows find my dinner;
there's a price to pay for being born wild.

I never whore for playthings or money
but three times it saved my life.
I never lie for the sake of loving,
only to play at being a wife.

I never was called to be a drunkard,
but I've ever been every drunkard's best friend,
to drop the mask when I see it coming;
 
the black-lipped snarling
bitter end.



September 2023


 
 
 

 
 
 
 
 
 
 
 posted for Illicit Encounters
 
 
 
 
 
 
Images: Wolves, © Andrew Wyeth
Head of Aphrodite, via Brittanica
 
 
 
 
 
 

Tuesday, October 4, 2022

Last Light

 
 

 
Last Light
 
 

"All changed, changed utterly:   
A terrible beauty is born..." ~W. B. Yeats 
 
 
 
 
 
 
I was born
in the black and white,
a changed place still living what had been,
a winter child in a fossil's spring of
sun and shadow, war's unmercied clarity
and the trampled mud of peace,
 
its empty whiskey bottles
and gardens of shaded violets, deep
black soil, black thunderclouds, 
white winter sky, blackened medals,
white gauze veils packed away 
in crackled trunks.
 
Now I live my last in a red dirt country
where the heat-song of September changing
dips the fading wheat in ginger honey. Wind-weary
trees lace still-green leaves thru the soft
reaching fingers of clouds, holding tight
before their scarlet fall.
 
Earth is whispering her love words
in the rustle of sundried grass
and blackberries tumbling over with
thickets of banquets in seedy puzzles.
When I turn to face the setting citrine sun
it's you I call to the open door
 
to sit beside me in the shortening days
drunk with bees and crow-call,
rich with the gatherings of every flower.
Won't you come, beloved,
before January rimes the windows
with its deep blue loss. 
 
Come to the place 
where you can't be forgotten.
Bring your cinnamon september skin
and your wild silver-grass hair to these ruins,
and your campfire eyes,
alight in the night of dreams so far
 
beyond the black and white.
Lace your fingers with mine
as trees do with the sky,
separate and one
where the fire of what was
in the hope of what may never be
 
is the only light left
before the scarlet fall.




October 2022
 
 





 
 
 
 
 
 
 
Posted for earthweal's
 
 
 
 
 
With thanks to Brendan for the poetry of W.S Merwin and others which inspired this. 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: My mother with myself at 2 months of age, Evanston, Illinois March 7th, 1949 
House North of Nash, Oklahoma, 2022  photo © Terry Wassan   via internet   Fair Use

Thursday, July 21, 2022

Century Song

 
 

 
 
 
 
 Century Song


For a hundred years
it seems
I've waited here, wasted here,
full of parch and motion, a salty throat
from drinking too much ocean once
though it's been
no more than a lifetime
or a breath

held under a thousand passing thrones
of aqua-green
where I counted days as quicksilver fish,
as coral bones, marked each dagger flashed in
 mouths of sharks, each scale, each whale
singing to all her kin while I
I drowned alone.
 
For a century
it seems
I trod this water milling, to breathe the years I knew
still held the spark, 
the flowers' poppy dream, the moths unflamed,
the coyote's bark
longing for the moongleam
on your reaching arms.
 

For a century
or two
the heat is master; 
the dust that birthed you,
the sun that calls you on.
It blisters me as the freeze of aeons
boils a distant steam, until night's mantle
 
falls across the blaze, and in the end perhaps,
too many too-bright ghosts and burning days
earn me a last cool breeze
 
a breeze and a flashing of that dream
 
where you
come back for me.
 
 
 
 
July 2022
 
 
 
 

 
 

 
 
 








posted for dVerse Poets
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Waves, detail 1969 ©  Javier Torices    Fair Use
Study for the Spanish Dance, 1869  © John Singer Sargent   Fair Use

Thursday, January 20, 2022

Zebras


 
 

 
 
 
 
 Zebras
(A 55)
 
Remember
when we were two
trout climbing Sahara sand,
two flamingos wading snow,

two zebras
grazing rock, stalked
by an avalanche of clocks
worse than any lion.

Remember
our nights stitched from
oak's blood and violins
torn from the big cat's teeth.

Come home again
before the door breaks,
before memory's last meal
is gone.

 
 

January 2022
 
 
 
 

 
 
 
 
 
posted for dVerse Poets
 
 
using words from
 
 
 
 
 
 
 
 
 
 
 
 
Images: Sleeping Zebra, 1959 © Carel Willink  Fair Use
Plant Archetecture, 1962 © Remedios Varo

Wednesday, November 24, 2021

Things That Stay Behind

 
 
 
 

 
 
Things That Stay Behind
(A 55)
 
 
Things that stay
behind memory's cold coals:
 
child's slipping skates
clipped with a key,
grandfather's rough-work hand
velvet on cottonpuff cheeks;

the margin of wild
the great lake stole from concrete,
that wish washed blue home where
only gulls screamed;

how suddenly it came, the frayed
squall of your kiss
at high water
washing childhood away.
 
 
 
 
 
November 2021
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 posted for dVerse Poets
a talent taken too soon
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Sunset Squalls at Connemara, © Fay Collins  Fair Use
Vintage roller skates, Photo by Sam Figueroa via Flickr Creative Commons  Fair Use
 

Friday, August 27, 2021

Labyrinth

 


 

 Labyrinth

 

I played in the field of the minotaur's horn.
The rose trees stretched for twenty miles.
His black eye blinked
my slow heart's beat. I danced all day where
the elephant's hip burned blue in the shade,
where I glimpsed the escape the animals made
before the age had been born.
 
The green grey moor 
was soft as a sponge 
on my cheeks where tears
disappeared in the mist.
I wondered if we'd ever kissed
in the halls behind the labyrinth's door
where the beasts blew their breath on the shadow play.
I saw them come at the end of the day
with all to give and nothing to say. 

Their souls each put in a hazelnut
that sank in ripples of earth's wet heart
covered in time from fire and flood,
from our hands that pull the world apart,
that turn his field from grass to chalk
where roses blow for twenty miles
and the animals at last
have begun to talk.



August 2021
 
 




 

 

 

posted for earthweal's

 

 

 

 

 

 

 

 

 

 

 

 

Images: Minotaur Caressing A Sleeping Woman, 1933, © Pablo Picasso  Fair Use
Swans Reflecting Elephants, 1937 © Salvador Dali  Fair Use

Saturday, November 14, 2020

End Times Redux

 

 


 
 
End Times Redux
 
 
There's always been
only one end
to a skull run against
a wall of stone,
always a single truth against
 an outnumbering of fools,
 
always ears stopped to
the pulse-drum beating fear,
the microphone vomiting
all the glory lies. Reason's light
is not blown out no matter
how many choose to sit in darkness.

It's always been coming again,
this over-heat in the system;
where the sovereign goes mad
bashing skulls
in Punch and Judy shows,
stuffed with his own sawdust failures.
 
Our love is the ink with which
over and over
we scrawl these wartime sagas,
the spilled blood 
from which the Resistance
 always rises.
 
 
 


November 2020
 
 
 
 
 
 
Allegedly the last picture of Adolf Hitler before he committed suicide on . Hitler (right) and his adjutant Julius Schaub looking at the ruins of the Reich chancellery, April 28, 1945.
                              

 
 
 
 
 
 
 
 
posted for the inimitable Fireblossom
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: top, author unknown, via internet, Fair Use
Bottom: image 1:Ditto;Allegedly the last picture of Adolf Hitler before he committed suicide. Hitler (right) and his adjutant Julius Schaub looking at the ruins of the Reich chancellery, April 28, 1945.
Image 2: Trump returning to White House after election projected for Biden. ©AP Fair Use


Friday, May 29, 2020

Friday Flash 55 for May 2020








Welcome all to this month's edition of the Friday 55. 

 The rules are unchanged; write a poem, piece of prose poetry or flash fiction on any subject, in exactly 55 words, no more, no less. Paste your link in the comments section, and I will be by to read what you have come up with.

The prompt will be live
from Thursday at midnight to Sunday at 4 PM.

~*~


Here's my 55:




Black Dog


The moon stopped talking
when you came
walking through catastrophes,
black dog that wouldn't mind
at your heel.

You couldn't stay;
I never stayed myself.
They thought they knew our best
but best's a savor
saved

for shot-silk touch
the war of wills
the game without rules;

reserved 
for those who meet breathing
and leave singing.




May 2020









Images: The Dog, 1819,  © Francisco Goya    Public Domain
Self portrait with a Black Dog, 1841,  © Gustave Corbet (manipulated) Public Domain

Friday, October 20, 2017

Friday 55 October 20 2017

Welcome, all, to the Friday journey, where we tip a hat to that great host of infinite possibilities now passed on, Galen Hayes, and build our own word-ships for sailing the seas of confusion, with 55 verbal planks of poetry or prose, no more no less, linked in the comments below. The rules remain the same, in that there are no rules, no strings and no obligations. Maybe you feel like playing this week, maybe you are otherwise occupied. Maybe you feel like commenting and visiting and maybe you hate it. None of that is important, except that you write when you are ready, because this is simply a writing exercise---for craft, fellowship and fun. As always, comment moderation is on to keep things real, and the prompt remains live from Friday through Sunday.


And so let's begin...





Leadlight


These words,
these broken bits of
stained glass, stained
as summer's love;
cinnabar, gold, sky cerulean;
fractured light that slants
notice of the
dead end of the year.

Faces are flown 
from the high window
 (unconsecrated now)
 their smiles
a scattered puzzle;
these October words
fall like
frostburned angels,

only good
for whispering to ghosts.


~October 2017





Note: Leadlight or leaded lights, are windows made from small sections of glass supported in lead frames, a generic term now often extended to all stained glass work, though earlier used only for simpler window or domestic casement art.  ~wikipedia



Image via internet search. Manipulated. Fair use.