Saturday, February 4, 2012

Valhalla of Trees

Horse Chestnut Leaf


Valhalla of Trees



The first gift the tree gives is grace, definition of air
waving branch to twig as the wind stirs the great pot,
taking the sky in its arms and showing 
the invisible so all is bound together.

Then next green sheets that roof the homeless wing,
bed and breakfast scattershot crawling gypsies,
or smolder orange bronze in the cider of seasons’ change
sweet scarlet and sharp, distilling light's last sugar
before winter’s white hands bring the enemy sky.

The last thing the tree has to give is its lifesmell,
savor of soil stretched from soft earth to limbered wood,
colors planed to flat scented on the lathe, or split rough
and fired in the hearth, exhaling ringed incense of trapped time,
flames flying the way long streaming gold hair
might fly up from a burning valkyrie.



February 2012



Posted for   Poetics   at dVerse Poets Pub
Mark Kerstetter is our host today at the pub and he's set us the challenge of seeing objects a bit differently, attempting to give them their own voice, as inspired by the writing of Francis Ponge.




Image: Horse chestnut Leaf, by Petteri Sulonen, on flick'r
Thanks, Petteri.

Friday, February 3, 2012

Copyright Infringement

I have just found one of my poems posted to a blog called Bluebell Books without my permission. I also found the names of several other poets there whose work I believe may have been used without permission. These poems are drawn from G-Man's Flash 55 entries. I have logged a protest at the site and a request to remove the poem. We'll see if that is enough, and the blog owner will comply. For others interested, I am willing to share my poetry but I must approve your use of it in writing, so please email me at my profile link should you ever desire to do so. Bluebell Books is in violation of US copyright laws, particularly as they intend to publish a book of these poems.That will leave them open to criminal prosecution.  I strongly advise people to be leery of this site.

UPDATE: As of 11:14 am February 3, the poem and my comment protesting infringement have both been pulled. I have still received no personal communication from this site, neither of apology or an original request to publish my work, despite my email being on public record. I would like to restate that I will report any copyright infringement from this site  or its sister sites in future to blogger, and hope this never happens again. Thanks,everyone, for your support.



Incubus IV


Incubus IV

It’s perplexing 
that the incubus is still
after all these nights
a mystery to me, with his
rippling heat, his sudden chills
and I to him 
the last unknown.
Tonight he’s here to play his games,
oh the same games so sweet and heavy
with desire I can barely carry them
to the last decimal.
I don’t choose to resist; resistance
only teases. Besides,
he keeps me too busy to care, while he
recites beneath my breath the half-made spell
he's come to fetch my blood to cook.
I know he wants to
catch me in a foolishness
even greater than the one that calls him here
but I am sly, slyer than I was
before he seared that first split hoofprint on my breast,
before we danced tail to tail under the cracked moon
before he claimed on smoky contractual clauses
with just a trace of suphur-tinged regret.

No, he won’t catch me
till he turns his back and finds
I’m wound where he had no idea
I could bind.



February 2012


Posted for   Fireblossom Friday  at Real Toads
The inimitable Fireblossom hosts today at the Imaginary Garden with Real Toads, and her theme is temptation, or perhaps confession, or both. I'm obviously too perplexed to tell.


This is a companion piece to Incubus, Incubus II, and Incubus III


Thursday, February 2, 2012

The Art of Smothering

Eyjafjallajökull ash plume


 The Art of Smothering



I remember when
you arsoned smoky fire
from a touch
on a turning page.

Now you’re
the spark arrestor
heat suppressor
insuring nothing
ignites.

The hazel extinguisher
of your foamwhite eye
drinks Molotov's cocktail dry;
my breath freezes
as it passes you

medusa'd to
ramparts of ice
 protecting, imprisoning
a midnight of ash.

February 2012






55 burning ice cubes for   the G-Man



Image: Eyjafjallajökull ash plume, by Gunnlaugur Þ. Briem on flick'r
Gunnlaugur Þ. Briem's photostream
Shared under Creative Commons 2.0 Non-Commercial License

Candlemas Sestina~Revisited for Imbolc, 2012





The Hedgerider's Lament
Part II: Candlemas Sestina

Winter rides the leafless hedgerow, black and aching for the thaw
a frozen masque of mummers misbegotten by the hag.
A dying moth in winter’s web, I’m null, unwarmed by fire.
I call to the guardian of the living earth to forsake her vestal  well
to bring her yellow days and put an end to the strangling white;
instead of snow make milk for lambs and wake the sleeping sun.

I pulled the blackthorn's sloes and brewed the gin of autumn’s  sun,
drank deep, then burned the sticks to keep alive until the thaw.
The Cailleach’s staff struck and brought the tedious vault of white   
where water was married to restless air in the couplings of the hag.
There are bruises for the hand that cracks the ice-crust on the well
and earth’s white cloak hisses on the coals of the worldsmith’s fire.

Once amber green my fingers tore the world-skin, meeting fire;
finding only the haunt of a look, a tendriled scent that fled the sun.
No living hand can draw your twisting wisp from that black well.
Only wishes' mist can pass between, and dust awaits the thaw
I hunker by a murdered fire and bandy curses with the hag,
who laughs and shrouds my hedgerow tight in her bands of white.

Yet there’s Another coming when the blackthorn flushes white
and the wind will thrash the greening twigs as all is cleansed in fire.
The spring will dance her mayday on the apron of the hag,
and unwind the days and bring her bag of blue that holds the sun.
The Cailleach will freeze, a standing stone before the thaw,
while her snow becomes white water rushing azure to the well.

So day’s full light expands and ice is melted from the well.
Tomorrow’s gin is brewing in the blackthorn’s buds of white.
Grass-green grow the seedlings as the hedgerow starts to thaw
and winter stubble burns but I’m still cold beside the fire.
The blood-burned breach still shows itself a curse beneath the sun.
The silvery white bride’s smile still flirts with the eyes of the hag.

But a bride might need a midwife someday, hidden in a hag
and a hag might be more than a  weight  best cast into the well.
The carcass of  dead caresses burns to ashes in the sun
and births a skin of amber green that swallows up the white.
Summer gives her pledge of life and bids me tend her fire,
and all her seed and kindred in the razor leaved hedgerow’s thaw.

Perhaps this year the sun will shine so clear and burning white
that the hag will laugh to see me in the mirror of the well
and I’ll forget the thing that’s broken as the world  begins to thaw.

January 2011

This poem is part of my quartet of sestinas on the four seasonal pagan festivals. I wrote it around this time last year. My friend, bard errant and student of the mythic, Brendan MacOdrum over at Oran's Well, is in an Imbolc kind of mood, and after sharing his own scholarly take on the occasion, asked for a reprise of this sestina today on the date it is usually celebrated, February 2nd. As always, happy to oblige, and even happier since typing is still a bit painful.

You can find all four sestinas dealing with the pagan festivals here. 


For pronunciation of the word Cailleach, click here


Originally posted for OneShotWednesday at the inimitable OneStopPoetry


Image: Cailleach  by RedDragon102857
Used under terms of Photobucket license

Tuesday, January 31, 2012

Raven and Stone





Raven and Stone



The raven holds
a found brightness in his claw
that his sharp beak
will never crack
yet he eyes it with
the very speaking soul
of possession,
one hunger set aside
while another feeds.

Winter with her cueball eyes
stares me down, professionally
grinding me grey, brushing me blue;
send me something green, love
something round and alive
to put in my raven’s claw,
not this old riddle
worn in my hair
that I will never crack

the petrified chrysalis
of a dead butterfly, the
forgotten classified secrets  
of two paper forms loving in code;
undelivered, undeciphered
folded apart in an alien cryptogram,
too afraid of ripping
to yield and make
one perfect origami.


January 2012



Posted for   OpenLinkNight   at dVerse Poets Pub






Sunday, January 29, 2012

Guest Post~The Anglerfish

A bit of a departure today, friends. This is a poem by a person close to me who I'm going to leave anonymous, and who is just beginning to write seriously. It impressed me, and I requested permission to pass it on to my readers here, which was granted. I have included some process notes to make the title and subject of the poem clearer. Your thoughts and impressions on it are very welcome. 

For those of my close friends who know or might want to speculate about the identity of the poet, I ask that this not be discussed for various reasons. Thanks.






 
The Anglerfish

 When scientists first started capturing ceratioid anglerfish, they noticed that all of the specimens were female...and almost all of them had what appeared to be parasites attached to them. It turned out that these "parasites" were highly reduced male[s].."~wikipedia





A floor of no note
seamless, featureless and plain
unimaginable amounts of my lifeblood
weigh it down flat

were it to move, the hungriest
would strive against one another
fighting for one sweet morsel
if only for a year

as flat and crushed as the sand
am I, every moment I live
I struggle, foolishly no doubt
just to breathe

I feel the pressure of a thousand mountains
around me, the darkness of a thousand moons
I am lost in the darkness
Yet I seek a fate beyond it

I am swimming, searching,
useless alone, I must continue.
The vast blackness surrounds
yet lights distantly beckon.

Through water thick as syrup I wander
This blackness treacle and burden
searching ever, for sustenance
a miracle of rage and love

there is only the joining in my eyes
the endless suckling prison
my mouth fused to her side
an endless sustaining of nothing

her maw approaches me slowly and still
in the thick water
teeth so deadly her mouth can never close
and dangling the light of promise in front of her.

So glorious is she that I am overwhelmed
and have to resist the urge
to swim into those lovely jaws
into pure oblivion

dazed, I stand still in the thickness
daring against hope
that I might just survive
and go unnoticed

luckless, she spies me through the veil
and begins to circle
I circle as well
thinking yet to shake the menace upon me

No chance, her gravity
is ten to mine
though she swoops and gulps greatly
still I am free

a blast of pheremones
brings me to a standstill
I am compelled beyond instinct
blindly observing

I am to her an accessory
now she free to ravage and kill
and giving a pittance for me
to remain here alive

the ultimate trap, was it me that grew
into her side, or her sides that hungered
for usefulness and purpose
knowingly growing into the weakest of me

the scales upon me, meant to protect
no gap to be seen
except for the ones ignored
in the words from my lips

those shoals of my soul
like hooks waiting
for another hook of like make
to bring misery and sorrow together








 Further Notes: "...The male ceratioid lives solely to find and mate with a female...When he finds a female, he bites into her skin...fusing the pair down to the blood-vessel level. The male then slowly atrophies, first losing his digestive organs, then his brain, heart, and eyes, and ends as nothing more than a pair of gonads which release sperm in response to hormones in the female's bloodstream indicating egg release. This extreme sexual dimorphism ensures that, when the female is ready to spawn, she has a mate immediately available..."~wikipedia



Note: This poem is copyrighted to Verse Escape, and to the author, and may not be used without written permission. January 29,2012

Image: Humpback anglerfish, via wikimedia commons.
Public Domain, full information given at link.

Saturday, January 28, 2012

Train Time




Train Time




I’ve made my accommodations,
set my watch to the new time zone
for this journey rolled on the tumbling wheels
of an iron horse rocking in darkness
as the wind blows the flying flag whistle.

The last ticket crackles in my pocket
a faint fire on my skin as I
try to forget the dead girl I left
tied to the carousel, round and round;
I’ve made my accommodations.

Out the window the night’s a film
come sifting down in haze
through clouds' warm rich milk
sieving back secrets like kept curd;
only skimmed wastelight falls in the new time zone 

where we chase the hours through the lengthening night
with a cawing louder than a lunatic crow’s
up and up the spiral way through rockbound trees
before the snow, the long descent to the sea
as the journey unrolls on tumbling wheels

unwinding a silkscreen I barely can see:
bright and flashing dawns, white cabins
malachite forests, yellow-eyed owls
beginnings and red tulips overtaken, outrun
by the night horse rocking in darkness.

The sum of what I want is not where I must go
but all the places this train will never stop,
while the sleepless wheels whisper: no drugs no drink
no magic trick can ever take
the  flying whistle back from the wind.





January 2012

Posted for   real toads
where the prompt today is the photography of Daryl Edelstein
and also submitted for

Poetics   at dVerse Poets Pub
hosted today by Sheila Moore and Karin Gustafson, and where the theme is undercurrents. I'm pretty sure there are a few of those lurking here somewhere.


This poem is written in the Cascade form. The first stanza sets the number of lines per verse (it can be any number) and also provides the end lines for the subsequent stanzas, in sequential order: first line ending the second stanza, second line ending the third, etc. till the final line ends the last stanza. I've played with the word order in some of the repeating lines, just because.


Images: Both photos by Daryl Edelstein
Used with permission


Fireblossom has suggested the following for optional musical accompaniment:



and here is what the poem reminds me of: