Monday, October 31, 2011

The Cat in the Well~A Halloween Fantasia

It's here at last! The Big Day at Castle Hedgewitch: Halloween, All Hallows, All Souls Day, The Day of the Dead, whatever you care to call it, my favorite holiday. To commemorate it, I've written a nice cozy horror poem. Hope you enjoy this as much as I did.




The Cat in the Well



My name is not Odin (I forget my name) but I’ve lived
in the well for a mad moon’s making, alone with the roots
the deep water oozing and lapping the bones’ sweet arch
that lifts my home, my tumulus a wet black mouth, alone
till the cat fell. My dying was long, my strength nearly gone
till the cat fell, till the cat came down the well.

Odin was a god, (so I heard before this spell) death gave him back,
yet a well took him in, his eye for a drink from the frost giant’s blood
below the world tree. I am not he, but a shrunken spriggan,
devil’s daughter, giants’ kin hung here stranded in small skin
to guard what I can't spend, when the faith gave way gave out gave in.
Even the dark forgets my names, forgets my games,
even the dark, till the one I played at with the fallen cat.

Because when the cat fell the light (so remote, so far above) blazed
sudden and sure it could end the dead dream that crawls
through my veins of a land where we once loomed large long gone,
because of that I let him live, alone of them all. He took my hands,
he took my tongue, he gave his eyes, I loth to stop what he’d begun.
He took my tongue the cat that fell, the cat that came down the well.

So we climbed mossy walls (my cat tail lashing) dank with the muck
of an ancient thralling, slippery with uneaten grief, treasure slid wry,
each stone a stele for a life thrown away, each drop in the bucket red
until we came to the rim, and his amber eyes set in mine
began to shine, began to glow so all should know
the spirit cat was up from the well, with many another tale to tell;
the spirit cat that fell, the cat that came up from the well.



October 26,2011




I've mingled (or perhaps mangled) several different archetypes here:
Odin, god of war, poetry,prophecy and magic in Norse myth traded his eye for a drink from Mimir's well, where the ancient wisdom of the frost giants was said to flow up from beneath the world tree Yygdrasil from the primordial void of Chaos.
A spriggan is a mostly malevolent spirit from Cornish folklore, generally found guarding treasure in burial mounds or the like, believed to be small ghosts of an earlier race of giants.
Cats, of course, were thought to be malignant, and often said to be familiars of witches or demons in medieval belief. Other cultures, such as the Ancient Egyptians, have held them sacred, and believed they possessed various magical qualities.



Special thanks to my son for the video he sent, which set me off on this particular trip, and to Brendan, for his input on the one-eyed god of the hanged.




Sunday, October 30, 2011

All Hallows Musical Interlude

Yes, we're very close, and there will be a suitable poetic celebration of the Halloween spirit over the next day or two, but till the witching hour tonight, here is some music to get you in the mood. 

Thanks to Fireblossom for setting me off, with her Season of the Witch contribution--(enjoy the class while you can because this post rapidly descends into silliness):




If we can't have Eye of Newt(I hear he has security) how about some Eye of the Zombie:


The original Marie Leveaux performed on the great Shel Silverstein's houseboat, by some guys  who, as usual, are having way too much fun--didn't anyone ever tell them that voodoo is some serious shit?



Happy Halloween All!










Saturday, October 29, 2011

Repost~Oxygen Vine Dreamscape





Oxygen Vine Dreamscape


 a voice was singing

Oxygen vine
sweet life of mine
o how you twine
oxygen vine

You began to turn me leaflike
browsing me in slack moments,
a subscription of yours, a pastime.
I saw a skewed wall in a lunatic jungle,
undeciphered petroglyphs
scrawled over by flaming flower graffiti
dark hands of roots, celladon vineshadows,
utterly unreadable

a nonsense song

Oxygen vine
trace me a line
o how you twine
oxygen vine

I was deaf from the reverberations
 of collision when you told me
I was a wall against whose
resistance you built your self, but
I was only flesh behind a  wall
etched with the sigils of an unknown cabal,
 its vines and shadows
become my skin

in the deep night
 
Oxygen vine
black columbine
o how you twine
oxygen vine

Love is a cannibal you explained.
His first goal is to kill and eat the other
then make tuneful bells from the bones.
Just so you grew your tensile intoxicant ribbons in me
so hungry and alive, tickling, strangling
composting accommodating flesh till I was friable ooze
  root-fractured, absorbed into your sucking shoots
flensed down to my skull for a drum

sweet notes pulsing

Oxygen vine
razors in wine
o how you twine
oxygen vine
 
I was wined and twined
cut so quickly
I never knew when my smile lost its lips.
You pierced and numbed me
bubbled my blood out with your own
beads of verdant air, an antagonism of life support
careless of  the red drops’ splash
or my cyanic throat

rattling and humming

Oxygen vine
ventilator’s whine
o how you twine
oxygen vine

Autumn brings a bonfire.
 Dry leaves and twigs burn tinder fast
thorns and flowers flaring farewell
in a temperature that crackles,
twining flames fed hotter
by an inrush of escaping air exploding
black under the lids into
smoke blown like seeds on the wind

vanishing

Oxygen vine
darkness define
your ashen design

into silence

March 2011 
 
Posted October, 2011 for   Poetics   at  dVerse Poets Pub
Claudia is in charge of the prompt today, titled Call and Response, and has asked for a poem of two voices speaking. This is one which I wrote to have three separate threads, or voices, going on, the single lines make one poem, the non-italicized 'song' another, and the italicized main body the third. Each can be read individually, and each either answers or supports the other. I've used a little color to make it easier to see for the prompt.
 
Hope this meets the requirements as I had no luck with a new effort today.

(Originally posted for One Shot Wednesday at the inimitable OneStopPoetry)
 
Photo: Trellised Hand, by joy ann jones, march, 2011  
 
 
 
 

Thursday, October 27, 2011

Encore




Encore



The cricket
trapped six months ago
in the bathroom sink
where I forgot him
wakes me in the desert night
with his dried song.
The keg of his body is empty,
antennae broken.
His fiddlebow legs
have fallen off one
by one long ago. I should
take him out
and throw him
away, but at night alone
I like to hear him sing
even if he only
sings of his murder.

Some six centuries pass
recrossing the desert night
before we break down, the
trap of your forked tongue
over mine parting to find
dawn blustering at  the
locks on the abandoned car,
broken antenna, where in
the empty back seat, springs 
still rattle in a  phantom’s opera.
I know it’s time to peel away
your white plaited bones,
let your dried lips fall
one by one
from mine so I
can hear you sing
again of my murder.


October 2011


emmett wheatfall hosts a prompt this week, asking for a poem of conflation. Not sure if I've produced one, but had fun trying. 

(Also, this continues the All Hallows theme nicely, I feel; apparently the cricket wasn't through with me yet.)



Orion Rising

Orion



Orion Rising



Across the coliseum
celestial, Mars blinks his
red eye, battledancing
with the milky chimera.

I‘m caught in a glass twist,
shadow of river blue
fluorescing aquamarine 
afterglow  
where light once was
under a sky 
made before men
threw away
the gift of night.

No New York fortune
buys Orion rising,
tigertail dangling
my lifeline.





October 2011





(The discerning eye will note that this poem contains exactly 55 words,
and immediately realize it to be my entry for
Friday Flash 55 at the G-Man's.)





Tuesday, October 25, 2011

The Fortune Teller





The Fortune Teller
 A roundel in the rough


The cricket knows who’ll take the flag and bleed out in the sand
which one tells as many lies a day as the melon's black seeds
who’ll marry her love at last to find he's a red-eyed Caliban;
The cricket knows.

The cricket‘s dead antennae twitch the word from the yellow weeds.     
I hear his dessicated legs push out the code, a one ghost band.
His deathsong chirps through the lacy curtains, then recedes

bowing of birth and murder, plagues of blindness on the land.
We have no secrets he and I, in the brainbowl where he feeds.
I re-bury him each day, each night he burns me like a brand.
The cricket knows.



October 2011


Posted for   OpenLinkNight   at dVerse Poets Pub 





This is my attempt at a roundel, a form created  by the English poet, 
Algernon Charles Swinburne.  
Rhyme scheme is ABAR BAB ABAR. The refrain (R) consists of the first four syllables of the first line, and may or may not rhyme with the B lines. Each main line should have the same number of syllables, or possibly stresses, but Swinburne appears not to have paid much attention to that aspect in his own work, so I haven’t either





Image: Still Life with Origami Figures, original charcoal drawing,  
© All Rights Reserved. This artwork is exempt from the Creative Commons 3.0 license in effect for the rest of the blog and may not be reused or reproduced without written permission.

The Dawn Singer



The Dawn Singer



The wind is old
in the rose coloured country
where I walk with you towards the dawn
where we drink of a cup
that never was
that brings no loss
that swallows pain
all remembrance 
redone, remade anew.

You sing to me
in a soft foreign tongue
I used to know before being born,
full of rolled r’s and ocean hushes.
Your white skin pearls and uncurls
a parchment of promise, your hands
outline my wants, full of birds and forests
gods and devils, angels and skinwalkers
and the long fall down Eden’s well.

Nothing could be as sweet as
this dream of it, of your palms
under my chin lifting
my face to your eyes,
your voice in my ear a touch
itself, deep cobalt echo of
a distant windrung chime,
our fingertips feathering  
to read the tale marked in braille.

Your eyes of moon;
how their light rips
against the black,
dawn songs sung
above the ears’ range
only in the choirbox
of my heart.





October 2011








Photo: The Rose Coloured Country, by Petteri Sulonen 
Thanks Petteri, both for the use of the image,
and for choosing the phrase from the poem as title.
Petteri's blog, Come to think of it

Sunday, October 23, 2011

Incubus III

Ménade relieve romano (Museo del Prado) 04b


Incubus III

He’s decided 
we dance tonight, 
and so we do
the moonmad cleft-foot jig, 
tail tickling around my waist, he
the bacchanal dancemaster
marked with a silver’d shadow,
I the bemused pot of honey 
balanced
on his vinyard arm 
thyrsus in hand,
thirst pouring 
from a red-figure urn.

 Tranced, I turn 
in that 
serpentine accord
 of smokedrift and dream,
my body his netted lattice, 
that squintslanted  
 backslid eye
 tight shut still knowing
every bridge 
every fret
that builds a chord
across the rippled ivory
of my spine.

A cat can’t deny a lion
the gazelle’s throat, 
still
the tail lashes;
one red drop shows where
my lips fell last.

Don’t think there’s
no toll here
in the 
processional of lost girls.


October 2011



This is a companion piece to Incubus,  Incubus II 
and Incubus IV


Ana Belén Cantero Paz [CC-BY-2.0 (www.creativecommons.org/licenses/by/2.0)], via Wikimedia Commons posted here on Flick'r