Showing posts with label come up to the lab and see what's on the slab. Show all posts
Showing posts with label come up to the lab and see what's on the slab. Show all posts

Thursday, October 27, 2022

St. Walpurga's Nightmare

 
 
 
St. Walpurga's Nightmare
(or, No Medicine For Melancholy)





Up on the hill where the blade never goes
skimpy clouds dangle like a phrase of bad prose,
with May Day's and Hallows' night stars locked in boxes,
up on the ghosts' hill with the little foxes
 
sits the old witch always stirring her pot
of bandages and sweet oils, scalding hot,
her dry smile a bleachmark on her tie-dyed skin;
she's only waiting for the crows to begin.

Give her a coin and she'll midwife next year
or recount the rest of your life for good beer
in her voice like a hatchet while her fingers stir
mockingbird's screech into kettle's blur.

What's in the cauldron you sainted crone?
"It's hope, she croons, the alphabet I own.
You can't live on it, though so many try,
but you can certainly die on it time after time

riding the Big Wheel on dandelion silk
sucking tobacco like the baby's milk,
drinking and thinking you'll go up and up
then crushed on the revolve like a styrofoam cup.
 
Before you learn what your body can do to you, you
think its a warm glass of wine poured out for you
but it soon cracks in the time-slip and shatters apart
like your broken heart, dear, your broken heart.
 
Before you see what hope does to the living
you think it's a wise thing, loving and healing,
not bitter and blinding, 
hiding the reminding 

of the shambling footsteps shuffling in back of you
of the behemoth ambling in one night for you
the only hope that turns out to be true:
he'll break all your bones, dear, and eat them, too."
 
But dreams can be merciful with their endings
whatever the bile-twisted gist of their sendings, 
for dawn took her words just as fast as she spoke 
and drowned them all in the lovesongs of crows.


October 2022









posted for Shay's

















Note: I've taken a lot of liberties with the history of St. Walpurga, a medieval abbess known for Christianizing the heathen Franks, learned in healing, who was canonized for, among other things, the 'miraculous oil' that oozed out from her dead body, and whose saint's day was enthusiastically celebrated with bonfires for many years on May Day. Obviously, I have added All Hallows to her domain quite mendaciously. She was said to be the bane of evil spirits and witches, so I'm sure she is turning over in her grave at being combined with one here. Finally, apologies to the Rocky Horror Picture Show for stealing 'time-slip,' and thanks to Susie for the gift of her poetry all these years.






 
 
 
Images: Walpurgisnacht, 1923, © Heinrich Kley
Antlers with Crows, author unknown, via internet

Tuesday, January 18, 2022

The Feral Baby

 
 


 
 
The Feral Baby
 
 
In the dark 
before breakfast I dreamed
that the baby fell on its head. It wasn't
my fault. It just climbed up my shoulder
and jumped. I only borrowed it
because you made me. It wasn't mine.
I am not one for babies.

Nevertheless,
it cried, so I put it in my purse
for the gypsy. She offered to give it a casserole.
  (Or was that use it in a casserole?) I said,
"It doesn't like my purse, but it wouldn't like a
casserole any better." I'm not one for babies,
but I know that much.
 
Finally 
I took it back to you 
at the urban university lab. You put
 a ribbon on it, called it Jean, kissed it.
 It was fine then. I was tempted to
sneak it back to its mother, but
you'd turned her into a starling.
 
And that's how
she came to be my child. 
I'm not one for babies
until they learn how
to fly.
 
 
 
 January 2022







 
 
 
 
 
 posted for 
 
 
 
 
 
 
 
Note: No babies were harmed in the production of this poem.
 
 
 
 
Images: Creeping baby doll, 1871   Public Domain
Starling Murmuration © Menno Shaefer    Fair Use

Tuesday, October 26, 2021

The Invisible Man

 
 

 
 
 
The Invisible Man

 
 
To know you is
to never know you, closed
in your dead moth coat,
last century's hat
and shades, mummy's face
empty when unwrapped as yesterday' cup,
all feeling spilled on ground that sucks it dry.

To know you is
to live life in the dark
to look but never
find, feeling forward,
reaching, slipping, hands
fumbling out to nothing as if I'm blind;
to know you is to know the mirror's lie.




October 2021


 
 
 
 

 
 
 
 
 
 
 
 posted for Poetics
 
 
 
 
 
 
 
 
 
 
This poem is written in the duodora form. See above link for description.
 
 
 
 
 
 
 
 
Images: Claude Raines as The Invisible Man, 1933    Public Domain
 
 

Friday, May 8, 2020

The Bird Alchemist





The Bird Alchemist


The Bird Alchemist 
was small and hero blue,
a most consummate
mountaineer of treetops,
aficionado of the woven twig,
knight-errant of the whipping wind,
fetching his lady favors
of jumping bug and thistledown
in the aquarelle skyscape
of implacable spring.

The Bird Alchemist
was more than his mask,
a Renaissance Bird of arts
and sciences, bearing the commerce
of reproduction for the rippling
sake of his mate's feathered belly
while nocturnal vigils teased him
with the secrets of all things; aloof
in his cypress lab, rocking spellbound
before creation's daft flicker, til

victorious he rose each dawn,
worms transmuted into song.



May 2020


















posted for 
Kerry O'Connor's




and for earthweal's
(exploring Monday's theme 
of  the hero quest)
even tho earthweal is one of several word press sites that think I am spam










Note: Aquarelle is a style of painting using thin, typically transparent watercolors, traditionally created by applying each color thru a separate stencil, now more loosely used for the style in general.





Images : Creation of the Birds, © Remedios Varo      Fair Use
Aquarelle Landscape With Bird, © Anna Svennson on Instagram  Fair Use


Saturday, April 4, 2020

Killer





Killer


Why do you come 
to stand in the dark kitchen, eyes
dull as shrapnel, dangling
your .22 from your hand
like a femur, no silver on you,
charity-thin?

You were the one
who wouldn't quit what killed you.
You were the one
who knew everything first.
Why do you hold
the rifle so tightly? 

I tried to save
all I could of you,
worried at the
pain when it came
with twelve
teeth of morphine, but

you screamed  
yourself away in
that minute I forgot.

I see
you still watch me
like a tilted tombstone,
staring flat-eyed, eternal
as a ghost lion's
hunger. 

Don't
drop the gun to 
hold out your hand.
 



April 2020


















a  bit of surreal dream for earthweal's









Just a reminder: On some word press blogs my comments are still disappearing. Please check your spam folder.








Images, both Untitled, © Zdzislaw Beksinki    Fair Use


Friday, June 1, 2018

Friday 55 June 1 2018

Welcome dear 55ers to another month and another Flash Fiction Friday, which almost didn't happen as I have had recurring connectivity issues in my antiquated DSL. If I am mysteriously absent, it will be due to circumstances beyond my control.

This meme is dedicated to its originator Galen Hayes, remembered with respect and affection for his ability to see the dark laughter under the surface of this life.The blogosphere has changed dramatically since his heyday just a few short years ago, but this meme hasn't--it's still no rules except 55 words of prose or poetry, no more, no less.


So, enough introduction--link your 55 in the comments below between Friday and Saturday at midnight, and let's kick this weekend's ass.



My 55 :


Losing My Grip







Each week the days are
a mangled non-sequitur, a hand's
fingers frankenstein-pieceworked:

Monday a fat woman's thumb
barely able to oppose,
Tuesday's delicate index
blush-nail-manicured,
astonished by work,

Wednesday
my own
upthrust twig,

Thursday's scarab-claw digit
a pharoanic relict,
Friday a child's pudgy pinkie
short as summer.
How can this hand

grasp
 anything
at all?





~May 2018














And because I am tired of unadulterated gloom, some Frankenfurterian musical accompaniment:














Images: Illustration © Eko, in The New Republic 
Still,  from Frankenstein (silent movie) 1910    Fair Use