Showing posts with label dry as dust. Show all posts
Showing posts with label dry as dust. Show all posts

Wednesday, August 30, 2023

Wither

 
 
 

 

 
 Wither
 
 
 
I feel an ending
traveling through my bones.
It stops for gas
just short of my liver,
looks for some diversion
 
a roadside attraction
 
as it spreads a cloth
under an infested juniper,
making a picnic of fingernails
and rheum, mumbling,
"Damn the bagworms."

How long time seems
 
in this heat-strangled house
carpentered by a coffinmaker sun,
with no appetite for increasing,
no single cell willing
to grow and not die.
 
We gracelessly surrender
 
to the wither
of merciless azure. Even the land,
with its skin drawn taut
as a snake's winding sheet
drying in August's crinkled moult,
 
knows when to quit.
 
The newborn rain comes,
leaves flush and spin;
when this red shambled summer
finds its cold-spangled grave,
 someone will laugh
up a pumpkin-spiced sleeve
 
under feckless wild stars
 
while the goldenrod blooms and my ending
takes a short vacation.
 
 
 
 
 
 
August 2023
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
posted for Summer's End
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Images: Gas, 1940 ©Edward Hopper      Fair Use
Native Oklahoma Goldenrod, via okprairie on Pinterest  Fair Use
 
 
 

Saturday, September 3, 2022

Lonely As A Dream

 
 
 

 
 
Lonely As A Dream
 
"Everything's a dream when you're alone."
~Wes Craven
 
 
If
you come through the door 
you see at once it's an old woman's house
smelling of apples, eucalyptus
and yellow books rhyming by size.
Nothing is new.
 
Incense
burns in the bedroom
for the sake of a man's memory
smoking and braiding in soft light
that slips through heavy drapes
like a thief. There is silence.
 
Peace
is there, and emptiness.
The ghost has learned to
keep to its corner, and seldom speaks to
the woman who gambles with words
in the hunger before dawn. 

She's
 the laugh no one hears
at  the midnight carnival,
the road no one takes
winding back on itself, the sprout 
light's pulled too thin, too tall
in its mirror, shadow.

Besides 
the dream, she knows only 
a sky flat with heat
that eats birds and rain,
a plague without cure
that stretches its dead skin
to infinity.

But 
everything passes. To all things come
this tension of maximums
just before the breaking
and the letting go.
 
 
 September 2022










posted for




and earthweal's









 
 
 
 
 
 
Images: Doorway © Suzanne Moxhay, All Rights Reserved   Fair Use
Dangerous Laisons, 1926,  © Rene Magritte  Fair Use
 
 

Tuesday, July 26, 2022

Flambeau

 

 



 
 
 
 
 
Flambeau
(a quadrille)
 
 
I don't want to write poems
fiddle while Rome's monde nouveau
becomes a flambeau.
They're a medicine-show elixir
a too-loose wrapping
on a fountaining vein.
 
But I have nothing else
as Arcadia burns
but this glittering salt
to seed rain
on a grassfire wind.
 
 
 July 2022
 
 
 
 
 
 
 



 
posted for earthweal's
 
 
 
and
 
 
 
dVerse Poets
 
 
 
 
 
 
 
 
 
 
 
 
Arcadia is a region in Greece, historically designated as the home of the god Pan, and synonymous with an unspoiled, pastoral wilderness. (Many towns across the world have been named after this spot, usually--tho not intentionally--ironically. I live not far from Arcadia, Oklahoma, a self-conscious tourist trap on Route 66 near an eponymous manmade lake. So far, it has not burned down.)
 
 
 
Images: Torch, 2008, © Wu Guanzhong    Fair Use
Media photo of grassfire, Beaver County, Oklahoma 2022   via internet  Fair Use
 

Wednesday, July 13, 2022

The Burning Tongue

 
 
 

 
 
The Burning Tongue
 
 
 
There is a burning that
makes the same smoke
from flower or flesh.
 
Air is dead.
Sound will not carry.
Words will not form
 
on a tongue blackened by 
summer's brass palm, for weeks
held radiant over earth's dry mouth.

Heat is a cloud-killer, builder
of invincible domes in steelmelt
sky. Dust catches fire.
 
Only the insect machines
still rattle. Yet every morning
in the stillborn dawn
 
there is a gasp of birdsong,
begging and faint, staccato, sharp,
freezingly sweet. 
 
In fever dreams
I gasp along, for every note,
for any word, for a charm
 
to make this yield
of burning tongues
sing out
 
in oldest music, 
wilder words,
the sparking chant
 

that death-heat kills even itself,
that someday it might
still be worth the parch

of trying to keep living.



July 2022









posted for earthweal















Images: Dead Woman's Crossing, Oklahoma  by Nathan Gunter   Fair Use
L'oiseau blue,© Marc Chagall 1968     Fair Use

Sunday, May 31, 2020

Storm Rocket





Storm Rocket



The big storm comes, rattles
the latch of night, batters twilight
with its troll voice and god hands,
throws soil from a thousand raped fields
at my face, dry earth's stripped debris,
melted smell of dirt-charged void
electric as the ghost of your lips in the dark.
I'd wear it like a rocket, follow it, fly with it
to that other land where wheat sings to
the living earth, lightning is a dreamer's
 dance and storms sigh down
a cobweb of emerald rain;
but seventy years of hot wind
have made me small as dust,
a pygmy trapped in
this unbreakable
walnut-shell
of pain.




May 2020














posted for The Sunday Muse












Images: Sky in Saskatchewan, author unknown, via internet  Fair Use
Rocket, by Brad Phillips   Fair Use


Monday, February 10, 2020

Homeless Warrior




 

Homeless Warrior



Born refugee in a gypsy's flight
to mismatch love for wherever I might be:
flowers in the pavement, lakes behind brick,
gnomes at a cotillion, cobalt sea spilling
in dunes at the sun's yellow forge

til my heart was rolled flat
to cut out round moons
with a steelsilver punch
so light passes through me
without shadow or reflection.

If tears fall, it's a petaldrop
of old flowers passing, of dust devils, gliding
unimpeded and small through
the moon-shaped holes
where the red warrior glow

of an eon's earth blood is
just a waver in that dark
where the sword falls to rust
and time takes the trowel
from the gardener's hand

whose broken her legs, her back and her heart.
The bowl wants its dust
the wind wants its wildfire
and what I might want is their last desire,

but the heat of the fight, the miles in the eye, 
the pilgrims of roses proclaim what they form--
warcries, or lovesongs still riding the storm.



February 2020








posted for earthweal's weekly challenge














Images: Trafficking in Human Beings, 1894, by Joaquin Sorolla Public Doman
Joan of Arc kisses the sword of liberation, 1863, by Dante Garbriel Rossetti, Public Domain manipulated.


Monday, January 20, 2020

Badlands





Badlands


I went to sleep
in the cotton rows
child's hands raw,
belly empty as
my mother's brown eyes
 that hot day she left me
alone by the river mud's soft folded stink.

I cracked my lids
in the hard nitre'd bed where
time cries out loud in the torture of change,
where rain becomes air
on dry roserock hills, deep in the gulch
where the snake promised water
and had nothing but dust

visions without sight,
day without night. I was small as
the sand when I rose up again
on the last thermal's wings,
on the story of gulls, on the wild windy
ballad the dark singer sang
to the tide in my bones.




January 2020















Process note: I've tried to present here the transition from the presence of water, to its absence. The bottom photo is of natural geologic erosion in the Borrego Badlands of California, and the top, work in the cotton fields possibly in Oklahoma(?) around the turn of the century.* This poem tries to bridge the gap between, for what are fields now may in the future become the desert landscape, moonlike and barren, that the climate has made of the badlands, which extend over much of the western part of the US, from New Mexico to California.








Header Image, *Picking cotton, author, location and date unknown, from an Oklahoma heritage FB site, public domain (the people on this site discussed their memories of grandparents or parents hand-working the cotton fields in Oklahoma as children. Oklahoma still grows cotton and was the fourth largest producer in the US, according to this 2017 report. )
Footer Image: Borrego Badlands, California USA, author unknown, Fair Use.