Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Thursday, November 25, 2021

Gratitude

 
 
 

Mayon volcano, Philippines




Gratitude
is a kind of ash
that blows in volcano wind,
falling opal feather-scales hissed
off by fire-snakes that coil
their islands in the sea,
all we have left perhaps
of rocky miles of ore and gold
stacked heavy in earth's shadowbox
melting in pressured flux
spit out to lift a mountain
from the core. 



~November 2012
 
 
 
 
 
 
 
 
 
 
 
Reposted from 2012 for Thanksgiving 2021
at DVerse Poets 
 
 
 
 
 

Happy Thanksgiving to All 



 
 
 
 
 
 
 55 serpent feathers for  the absent g-man; grateful always
 
Shared under a creative commons license
Footer Image: rendering of Yaxchilan Feathered Serpent Diety, byEl Commandante
public domain, via wikimedia commons 
 

Thursday, March 29, 2018

Sweetener


Sweetener


I.

I put you in my tea
tannic with memories;
stirred, they go down smoother
sipping on your ways.
Put on my plate you make
an evergreen presentation,
dressed in rue and fired clay,
so haute cuisine, salad of baby greens
tossed in hope and fear, before
the soup of dreams.

II.
I put you on the moon
sitting where she bends
your cloven feet a-dangle in 
their blurred and slippery stars.
You ease Orion’s belt, give cloudy listening blinks;
I whisper in your thunder covered ear until
you put me in the storm
flying with wings of rain 
where cold front meets the warm.

III.

I put you in my heart
little shop of horrors
cobweb seeded, only one
flyblown object on display but not
for sale. Pressed against the glass
your firefly face winks in the indigo night
where ribboned time slips tight in a lover's knot
and tea is sweet as your blue sky mouth my love, 
sweeter than floating memories dead in the pot.









March 2012
an old favorite, in Kerry's triptych form, 
 reposted for 
Fireblossom's Poetic Imagery 










Image: Tea Time, © Ellen Wilson of Ella's Edge

Tuesday, November 24, 2015

The Greenhouse


Greenhouse @ Noordwijk



The Greenhouse

"…only a wall of bad dreams separates me from the dead."
~Federico Garcia Lorca


Part 1

Shape without form
bones hollow tubes
delicious conduits for melons of yesterday's light
emptied, love that drips
from fingertips hung over the side
of a dolphin's drifting bed
silver drops of mercury 
running
up my face
hung dangling to the sky,
a root that reaches eyeless
toward a cavity drowned in moons.

My heart still
bleats
beats
once
again
louder than the crocodile in the ivy
clicking castanet teeth in sambas to
a deaf rose
in the greenhouse of dust and wine.
Shape without form,
a dream so badly made
it's no different than waking.


Part 2.


Many of these nights
I dream the greenhouse
bench-full of musky geraniums,
doubled lilies, spreadfinger poinsettia stars,
clay pots of green bay, mimosa, impossible olive
arrayed in some sequence that
confounds Fibonacci
with its lack of gold arab tumbleweeds,
its rote root and utterly unpredictable
prime free knowing,
counting up to its number
of green secret selves.

I pass through the sleepless emerald-lidded city
a tumultuous order
going bench to bench in the humid jade drip,
pressed to compound the hours left to me,
make cuttings of minutes, 
grow them on, to let myself become
the décor I tend and sell
and finally know
the earth's sweet mouth
tumbling unpollinated silk flowers
to bright oblivion
in her kiss.




~New Years Eve, 2012


(reposted for The Tuesday Platform)






Images: Header: Greenhouse @ Noordwijk, by wot nxt on flick'r
Shared under a Creative Commons license 
Footer: Geranium, by Odilon Redon
Public Domain via wikipaintings.org

Wednesday, November 27, 2013

Repost: Gratitude




Mayon volcano, Philippines




Gratitude
is a kind of ash
that blows in volcano wind,
falling opal featherscales hissed
off by firesnakes that coil
their islands in the sea,
all we have left perhaps
of rocky miles of ore and gold
stacked heavy in earth's shadowbox
melting in pressured flux
spit out to lift a mountain
from the core. 



~November 2012
Revisiting the sentiment for Thanksgiving 2013



 


55 serpent feathers for   the g-man
Happy Thanksgiving to All 



Shared under a creative commons license
Footer Image: rendering of Yaxchilan Feathered Serpent Diety, byEl Commandante
public domain, via wikimedia commons 

Friday, November 15, 2013

Repost: Walking On The Moon



Walking On The Moon



Since you left
I've been walking on the moon,
in the cold solar shadow, angel- and
demon-forsaken, unmused in a sinless place,
a floating cloud of cosmic diatoms weltering 
in undifferentiated asteroidal algae, working the
eyes of night for some buried beauty, some pandemic
of peace to infect me.

The dark side is
a rock rack, stone bed for the syncope when
white hope exhausts all exits with her rapid retreat.
I undrill in the dustbaths, naked in wallows of comet collisions,
bathed in dunes of ruthless radiance, where stars are
sprinkled in spilled saltgrains over eternity, vague and
sharp on the black velvet tablecloth
I once wore for a dress.

The sun side is harsh, but
even I tire of constant dark at times;
I know it's the side you see, fat harlequin
croissant of a sickle honeyed with words defying
gravity, toasted in the gold heat of your almond eyes.
I live on the grilling grid, fancy you making a meal
brioched of dark chocolate void where somehow
I've flavored the filling in dreams.

I walk on and on
light as the dead and sometimes
I find debris; yesterday an artifact
cast from the celestial dig of thee and me,
a vessel that used to glow, pounded to atomic dust, settled
in the flattened shardshape of a heart where I stepped
silent, and stood with the sudden choke
of moon in my throat.



~June 2012

Moon @Utrecht-zuilen


posted for    real toads
Challenge: Fireblossom Friday
The inimitable Fireblossom asks us to revisit poems of the past and submit what we think is our best. This is a hard thing for a writer to pick, and I think I may only be picking a personal favorite here, but this particular poem is the one I thought of first, so after agonizing for an hour or two, I'm going with it..



Header image: A Voyage to the Moon, by Gustave Dore, 1868, engraving
Public domain via Wikipaintings.org
Footer Image: Moon @ Utrecht-zuillen, by HSmade, on flick'r
Shared under a Creative Commons License

If you'd like to hear the poem read by the author, click below:



Wednesday, January 16, 2013

The Damned

newstan




The Damned


Alone under the concrete dome,
dead smell of piss at the newstand of bliss
but Aquaman lives. Superman forgives 

Come mind your sisters. Watch out for the misters
except for this one, and he’s never done. 

Run at the sky, trying to fly
don’t mind the paincoming, falling is numbing.
Paint out the screams, bruises, bad dreams. 

Come home, don’t you go. The neighbors will know. 
Don't playact, don't shudder, don’t you love your mother?



~June 2012, revised January 2013



play time



posted for   real toads

Challenge: Words Count with Mama Zen
The challenge today is to write 'the hard stuff;' something normally avoided because it's just too difficult to deal with, and to keep it to 75 words or less.  This was originally a much much longer poem I never expected to post.




Header image: newstand,  by dickuhne, on flick'r
Footer image: play time, by deszedol, on flick'r
Shared under a Creative Commons license


Monday, December 31, 2012

The Greenhouse



Greenhouse @ Noordwijk



The Greenhouse

"…only a wall of bad dreams separates me from the dead."
~Federico Garcia Lorca


Part 1

Shape without form
bones hollow tubes
delicious conduits for melons of yesterday's light
emptied, love that drips
from fingertips hung over the side
of a dolphin's drifting bed
silver drops of mercury 
running
up my face
hung dangling to the sky,
a root that reaches eyeless
toward a cavity drowned in moons.

My heart still
bleats
beats
once
again
louder than the crocodile in the ivy
clicking castanet teeth in sambas to
a deaf rose
in the greenhouse of dust and wine.
Shape without form,
a dream so badly made
it's no different than waking.


Part 2.


Many of these nights
I dream the greenhouse
bench-full of musky geraniums,
doubled lilies, spreadfinger poinsettia stars,
clay pots of green bay, mimosa, impossible olive
arrayed in some sequence that
confounds Fibonacci
with its lack of gold arab tumbleweeds,
its rote root and utterly unpredictable
prime free knowing,
counting up to its number
of green secret selves.

I pass through the sleepless emerald-lidded city
a tumultuous order
going bench to bench in the humid jade drip,
pressed to compound the hours left to me,
make cuttings of minutes, 
grow them on, to let myself become
the décor I tend and sell
and finally know
the earth's sweet mouth
tumbling unpollinated silk flowers
to bright oblivion
in her kiss.


~New Years Eve, 2012






Images: Header: Greenhouse @ Noordwijk, by wot nxt on flick'r
Shared under a Creative Commons license 
Footer: Geranium, by Odilon Redon
Public Domain via wikipaintings.org

Saturday, December 29, 2012

Last Dream of the Snow Spirit



This is another repost, intended to keep the blog on life support while I enjoy a break from the internet. I hope to be back after New Year's. 
Until then, best wishes to all my bloggy friends and readers.






Moonlight Kinetic

Last Dream of the Snow Spirit


The Snow Spirit is old, psychotic and white.
Icicles hang like devil’s teeth from her soul.
When the black wind rackets in the twelve-hour night
they gnash a rattling storm till nothing’s whole.
She weights down the housetops, steers toy cars to flight
kills birds in the air with breath as dark as coal;
and yet all things old and wretched once were young.
She’s forgotten what she was, or what she’s done.

Was she a blue irreverent river sprite,
who crossed some bitter god with her defiance,
made ice to live a millenium in white?
She seems to see instead a green alliance,
herself a leaf that danced in dumb delight,
ten million sister leaves her full reliance,
woodborn in a place of sun and wind made song.
But she’s old and mad; her memory’s often wrong.

Or didn’t she drip, a lanquid amber mist,
over fields and woods at dusk, all warm wet airs,
a drink for fiddling crickets, a slippery wrist
that washed down idiot mice or hipshot mares?
Perhaps she was the ripened pale poppy’s fist
a wild wind’s daughter whose white and jagged tears
bled the sap of sweetest rest beyond all thought,
punished now for the ignorant death she brought.

Whatever she was, whatever form now lost
and transformed into harsh new symmetry,
she was not this moving famine or this frost
that wracks the world with its frigid ministry.
She imagines her leafgreen soul is what it cost
to pay for this unwanted eternity.
Still she dreams as she dances the sky apart
she’s not a damned storm hag with a stonecold heart.

She can’t see her own mad eyes, her ice-boned thighs.
In  dreams she’s one snowstar with a million more.
Sisters flown like white leaves across the skies
dancing a wind ballet on a cloudpaved floor.
She dreams the sodden snow is white butterflies
with life instead of death humming in their core,
choired clouds of frozen wings who’ve just begun
to live, melting in the early winter sun.
February 2011




Ice Age #5



 This poem is written in the ottava rima form, each stanza consisting of six lines of eleven syllables rhyming alternately, ending with a differently rhymed couplet. It is irregularly metered, but conforms to the eleven syllables per line format original to the Italian, though perhaps not to the Italian pattern of stresses. English ottava rima is often written in iambic pentamenter (10 syllables)as well. 

Ottava rima is traditionally used in the writing of heroic or mock-heroic work, from Boccaccio to Lord Byron to Yeats.




Title Image: Moonlight Kinetic, by Petteri Sulonen 
Many Thanks, Petteri

Footer Image: Ice Age #5, by Alex RK