Showing posts with label real toads. Show all posts
Showing posts with label real toads. Show all posts

Friday, December 6, 2019

The Keeper's Dream










The Keeper's Dream




Wild darkness grows tame lightning
blue light from wrinkled hands;
 St Elmo's fire, stormscream, water
pushed into a weapon,
air's hysterics
my mates in this dark place.  
From the dead sailor's dream I know
your cry, snaking
up the spiral spine of things,
to warn the time is here
when even fishes will need wings.



~December 2019













A quick and dirty 55--forgive if my tools are still a bit rusty--with thanks to Kerry for all the glories, past and present, of The Imaginary Garden, and to the G-Man for the form which never fails.





Images: Pharos and Pacifico Oracle cards, © Kerry O'Connor
Attribution Link

Sunday, March 4, 2018

Moonfrost




Moonfrost



There's a place
in butterfly dusk
where moonfrost drifts in sepia crystals, 
where nightbirds' wings fold
so that even flight
cannot beat its way out
of the stillness of giants.

It's the place
where you stand
in the twilight of trees, where the heart 
still stalks the thing
that thinks shadows hide it
but shows in the dark,

bright as a moon that
glows like a cygnet
asleep on a midnight lake.




~March 2018


posted for Kerry's FLASH 
 at real toads









Some mood music...
















Image:Crepuscule, 1897, by Heinrich Kuhn



Saturday, November 18, 2017

The Burned House

Cosmos 'Sonata White'



The Burned House



When I wasn’t looking, the house burned down,
that tall one on the cliff’s edge that sucked in smoke
and died. It was full of mirrored rooms, that house
I used to own, each one a tank where dreamfish swam in fire,
where light flickered up on scales of copper-gold, now white
lumps of half-burned bone, refleshed with sudden coats of ash.

How were those rooms so full of light transformed to ash?
to flecks scraped from scorched love letters skittering down
the drive, black ink on blue paper burned feathery white?
Our words undressed became a script of smoke,
banded envelopes a fuel for chemical fire
that when my head was turned burned down the house.

Blackened beams, obscene leg-stumps of house       
frame possibilities negated. Nothing made of ash
can be reused. I sift the morsels left uneaten by the fire
that swallowed up the core, the spit-out shingles flying down
in flaps of flame, exhaling heat while carcinogenic smoke      
escaped from window-mouths on wings of restless white.

When it happened I was working soil for the Sonata Whites
but purity failed; so fire’s finger drew a circle round the house:
C. sulphureus instead, petals solar bright, tangerine smoke
drifting against the threshold wild alive, drawing flame from ash,
from rich dead dreamfish char piled in drifts of down;
now where white rebelled I fill my hand with redgold fire.

So I come to the doorway drawn by memory's fire       
to rake through dulled nails and teeth of white
half-melted days, look for the last inhabitants down
beneath the rotten timbers. The ghost-house
trembles, gives up its bones and sleeps in ash.
I pick and fuss at ruins, only to fill my bag with smoke:

photographs once rainbow stained to sepia, smoke-
colored faces turned to relics, eyeholes eaten black by fire
unreal as fingerbones of non-existent saints, grey as ash
and as unlikely to reignite; silver-colored trinkets faded white,
misshapen in the reflux of the firehose, lockets that housed
twists of burn-clipped hair lost in love's long down.

My insurance covers none of this disaster-whitened ash,
a total loss except for cosmos smoke, gold-warm as any fire,
embers at the doorway of the wild that can’t burn down.




 
C. sulphureus


~originally written September 2011, 
ruthlessly revised






 for Brendan's Doors

 Forgive the repost, but my time is not my own these days...


Cosmos is a perennial or half-hardy annual in the aster family, native to Mexico, Arizona, Florida and the southern U.S. down into Central and South America. It grows in both wild and cultivated form. It is heat and drought tolerant and reseeds itself so freely some forms, including C. sulphureus, are considered a weed in some places. Cosmos bipinnatus 'Sonata White" is a pure white hybrid form, bred for the cut flower trade.


Photo: Cosmos bipinnatus "Sonata White" by Julie Anne Workman, Forde Abbey, Somerset, UK
courtesy wikipedia Par Julie Anne Workman (Travail personnel) [CC-BY-SA-3.0 (www.creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons
Cosmos sulphureus 'Bright Lights' author unknow via internet. Fair use

Thursday, June 1, 2017

Brute Hill





Brute Hill




Ula La was a frycook
at Joy DuVeeve's saloon.
Rusty Naylor was a gambler
who overshot the moon.

Two Gun Shogun smoked his long stemmed pipe;
his katana made no sound.
Little Mort the Undertaker put
old Rusty in the ground.

Loup Garou and Bill McKinley
passed Brute Hill on the high noon train
to catch a bite at Joy DuVeeve's
before the plague coach came.


Heart of lead
and heart of black fade out without a sound.


Heart of gold
and heart of green still laugh and still beat on.








~June 2017



Optional Musical Accompaniment








Some silliness for Fireblossom's Paper Moon













Images: Going West, 1934-35, ©Jackson Pollack. Fair Use.
The Women Friends, 1917, by Gustav Klimt. Public Domain

Sunday, March 19, 2017

Spring Comes Home




Spring Comes Home


Spring comes home
in a dead dog's mask
old bones ask
for yesterday's rains
dust kneels to be made
tall wheat again;
clouds dry and pass
as the grackles grate,
too soon, too soon
and then, too late.

A dead-leaf kiss, 
a lover's knot
tied in a corner
the wind forgot.
You lit my face
for a fire in snow;
we glowed for a time
before the blow
too late to come,
too soon to go.

Now there is
a falling light,
no home on the moon,
stark flares in the night,
war news at noon
a flash of flight
that breaks the gate;
and the grackles grate
too soon, too soon,
and then, too late.




~March 2017





at real toads















Image: The Enigma, 1871, by Gustave Dore  Public domain.