Showing posts with label dances with mice. Show all posts
Showing posts with label dances with mice. Show all posts

Wednesday, September 28, 2022

Fairy Tale

 


 
 Fairy Tale





Princess Moonzumi and Prince Heart-of-Ash
were betrothed as children through a looking glass.
She never knew him. He never saw her,
just a shadow that moved in the mirror's blur.

Prince Heart-of-Ash learned bard song and sword,
to jest with a blade and kill with a word.
Princess Moonzumi went out every day
to dance with the Sidhe where the dogwoggles play
 
down in the mud, up in the scud,
around the green tree that sheds no blood.
She knew every fae in the wild dark wood
and they taught her to fear the evil in good.
 
Princess Moonzumi and Prince Heart-of-Ash
were married in autumn when the east winds thrash
as the leaves fell like fire on earth's mirror-face,
and they loved each other for a year and a day.
 
Then Prince Heart-of-Ash took his sharp bright blade
down to the wood where the dogwoggles played.
The princess died like a mouse in the leaves
for a lie in the heart only ash could believe.
 
 


September 2022










posted for earthweal's
 
 
 

and 
 
 
 
dVerse Poets'








Sidhe/SHē/noun, plural noun: Sidhe: the fairy people of Irish folklore, said to live beneath the hills and often identified as the remnant of the ancient Tuatha Dé Danann.









Note: I wrote the seed of this poem while running a fever a few weeks ago, but the prompts shaped it to final form. Apologies if I have stretched the boundaries a bit on what was requested.



 
 
Images: Mammal in Leaves, author unknown, courtesy of earthweal   Fair Use
They went hand in hand in the country that smells of appleblossoms and honey,  © Arthur Rackham, Irish Fairy Tales
 Fair Use

Tuesday, January 16, 2018

Truth Of The Mouse




Truth of the Mouse



What they do to you
I dream they do to me.
The knives come out
the tubes go in
to the piece of meat
nameless, once sweet,
test tube tissue
over-scanned and analyzed
and the bugs are in
the bandages again.

The nurse can't come; 
 she's
double parked at the casino
where the chips come down
like needle rain
where the dealer's a junkie
because the rules broke again
and the mouse
that chews the truth
knows 
it's not safe to come out.



~January 2018




 







Images: Illustration from The Tale of Two Bad Mice, andThe Mice at Work Threading The Needle, by Beatrix Potter   Public Domain


Friday, December 11, 2015

The True Nature of Hermes Trismegistus



The True Nature of Hermes Trismegistus




Hermes Trismegistus
trimmed his beard into a taper
thinking silent he could caper
through Athena's steel-grey hair
and never wake her.

But that smile as she lay sleeping
showed plainly she was dreaming
his humors into being
a distillation furred and spliced:
her owlfood made from mice--

leaving mortals to discover
why one god eats another.





~August 2014, 
revised December 2015



posted for real toads







a bit of fluff for Hannah's Classical Elements








Image: Minerva, or Pallas Athena, Gustav Klimt, 1898 Public Domain via wikiart.org
The Tailor Mouse, 1902 by Beatrix Potter. Manipulated. Public domain via wikiart.org

 

Friday, September 27, 2013

The Kitchen Mouse


The Kitchen Mouse



You're in my dreams like mice in a kitchen
when the cooking's over, the cook
is sleeping, the stove is cold.
You make a skitter under the fire-crackle,
shadow warm,
at a noise
gone.

I hear you eat through sacks
and wrappings, small brighteyes;
working your delicate bones
behind blue-painted plates,
alive in the crumbs, stark
on the stones, always
hungry.

Everything's spoiled in the morning
where your dirty feet have
danced, but there's no poison
here, no baited iron jaw. Live
and let live, I say, for
in my kitchen I will have
no death.


~September 2013






posted for     real toads
Challenge: It's All About Place
The ever-sharp eye of the multi-talented Margaret Bednar saw some inspirational potential in a series of  exquisite historical miniature room exhibits at the Art Institute of Chicago, and  kindly brought back pictures for us(see link.) She has asked us to write about the kind of place they might be.


Process Note: No actual kitchens were infested in the research for this poem.


Photo by Margaret Bednar,  used with permission.
(To suit my theme, I have cropped and manipulated her original photo for the header here, so blame me not her for that.)