Showing posts with label thinking outside the cat box. Show all posts
Showing posts with label thinking outside the cat box. Show all posts

Saturday, December 18, 2021

Kowboy Katzenjammer

 
 

 
 
 
 
 
 Kowboy Katzenjammer


When Kowboy Katzenjammer
comes to Kittycon
he always brings his religion.

Sixgun and spurs
forecast high-noon confessions
and lavish donations.

He preaches tomcat gospel
to green-eyed kittens
in sharp ears and lazy ribbons,

offers his cardboard box
in the church of broken locks
to a fury of furries

 trading their fur
for a two-second purr.
 
 
 
 
December 2021
 
 
 
 
 
 

posted for Fireblossom

 
 
 
 
 
 
 
 
 
 
 
Note:This 55 uses the following words from Shay's Word List (Laura Nyro), which I did not include in my previous poem for that prompt: confession,forecast,fury,lazy,religion,tomcat



Image via Sunday Muse   Fair use
 
 
 

Thursday, October 9, 2014

Nevermaiouw



Nevermaiouw
or, How the Raven Met Cattriona
with apologies to E.A.P.




Once upon a dismal Friday as I gazed out on the skyway
dripping fitful raindrops highly irking to my fur,
as I nodded, moistly napping, suddenly there came a crapping
from a feathered menace flapping, hovering in the dusky blur.
'Tis some noisome pigeon,' said I, 'perched upon the entrance door.
Only this and nothing more.'

Ah, distinctly I could spy it, murdering my peaceful quiet,
it was useless to deny that bird that leered down from the door;
as I watched it puff and flutter, black as ink and slick as butter,
softly I began to mutter, 'this is nothing but a gutter starling fed on rotten store,
just a starling garbage-fattened, hanging on the entrance door.
This it is and nothing more.'

But suddenly there came a squawking, as if the monstrous thing were talking,
a devilish and infernal cawking,  a stalking once I'd seen before
from a creature long-forgotten, with a tongue my Master taught on
many a sleepless midnight fraught to speak out misbegotten lore.
Twas the thrice damned noxious Raven with his prate of 'Nevermore"
that woke me, angered to my core.

He did not come to grant me wishes with a beak o'erfull with fishes,
or cook me liver so delicious that I swooned upon the floor--
No! he set my tail a-lashing, and my pointed teeth a-gnashing
with his ever-constant trashing of the entrance door--
obliviously besplattering, while for treats he did implore,
treats Mine Alone for evermore.

Never, swore I, would he triumph, play the monarch or the pontiff
ruling me with caw and quantive statements from the entrance door.
So low I crouched upon the railing, and as he his tail was trailing,
did I pounce upon his failing body as I spilled its gore;
squawking yet he tumbled sailing, down before the open door.
This I saw and nothing more.

As he lay there feebly twitching, I scratched my ear, for it was itching---
and the Raven he went pitching wildly 'cross the chamber floor.
Like the Rabbit ran from Alice, to the pallid bust of Pallas
limped the vandal of our palace that I knocked down with a claw.
As finally then a silence placid fell upon that bird most foul, 
quoth I the Kitty, 'Nevermiaouw!"


~October 2014







posted belatedly for    real toads
Kerry's Challenge: If only they could talk

Thanks to Fireblossom for leading the way with her poem describing the funeral oration of Dog Antony,  the premise of which I have shamelessly transplanted here in hedgewitchian soil.  
Kerry, in her rendition of Dylan Thomas's dog's final wishes, takes this concept beyond pastiche and into pure poetry, but here I have played for laughs.

Edgar Allan Poe is said to have had a cat named Cattriona, and I chose this pairing for my poem in part to mark the anniversary of Poe's death at age 39 on October 7, 1849. The inspiration for it however, comes directly from Kerry O'Connor's prompt, and any Raven involved is purely a product of Poe's imagination. No actual ravens were harmed in the production of this piece.






Top image: Cat Catching a Bird, 1939, by Pablo Picasso.
Footer: Image courtesy of google image search
copyright unknown, no infringement intended.

Friday, March 29, 2013

Cream For The Feral House Lion



Lion




Cream For The Feral House Lion



I liked it when
you'd shadowdance
silent across the electric grass
for your dawn saucer of cream
beige on beige, yellow-eyed dream
giving back less than a cat
but still, absently
clawing away
some of the grey on grey.

Now there's just drought and
wind, empty as the exhale
of copper-sweet cat's breath
or bleaching kudo hide,
only the grit in my knee
grinding, no music of bones
nor dance of the mind,
no purr-rumbled words,
their inexplicable comfort;

nothing left of
you, not the bouyant
Archimedean arc of your desires,
your moon-sown Tarot
serpent sure, lion wild;
just the bin in oblivion
where all your tawny messages
have come to feed
feline soft in the long 
savanna summer.

~March 2013


Lion staring





posted for   real toads
Challenge:Transforming Fridays
The ever-inspiring Hannah Gosselin gives us another of her biome-centric challenges, this time to express the voice of the wildlife of the savanna. (As always, my wildlife may vary from others' wildlife.)









Hover mouse for image attribution, or click to go to photographer's flick'r page.


Tuesday, September 27, 2011

The Griffin King

Beatrice Addressing Dante (by William Blake)


The Griffin King


No lion walks here
on the cold plains savanna
under a tame pale moon whose soft
cloud paws never knew the scorch,
stepping high above the empty grasses.
Only the memory of a lion
under the buffalo’s skin
keeps it restless in the dark.

Once the tawny sisters pneuma'd these
low hills, scanning dry miles with
yellow slit eyes, split suns, millenniums
of grass restless around their heads.
The herds were only stones of flesh that
displaced the winding grass river
with their bulking meat but no more; now
paper bags and coyotes own the night.

Full moon brings the shadows,
beige and boneless, in charade of
the wild hunt lifedance that ends in
something’s death, where the ochraeous 
griffin king of the lost lion imperium shakes
a ghost’s mane in coy command of his aparrat.
All the wetwork still is theirs, coursing silent
with their moon-glabrous snouts aloft.

Meanwhile the griffin rolls sensuously in 
the dust of bones or trots the perimeter with deep
gravitas, throwing his insubstantial scat.
God by force even here, powered by
his massy paw, foul hellbreath, throatless
cinematic roar, his skeletal belly
always hollow, emptied by that
staring yellow river flowing out.

So they rise and hunt
in the black menagerie, an
agency of endless night,
and fall under him when
their turns come
to bear the pierce of his desire,
but know him
they will not.


September 2011 






Posted for   OpenLinkNight  at dVerse Poets Pub



Top Image: Beatrice Addressing Dante, (Purgatorio, Canto XXX, 60-146 ) by William Blake
William Blake [Public domain], via wikimedia commons.